Pixar’s ‘Float’ is Not Just About Representation, But an Authentic Experience

Representation is not just about putting a diverse array of faces on a product and calling it a day, but it is also about ensuring that this diversity actually empowers and puts authority into who it is telling the stories of. 

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NOC Review: ‘They Call Me Babu’ Visualizes an Untold Story

The archival documentary filmmaking style is able to take us to times long past that can’t necessarily be recreated with the same sensitivity and grace through mere recreation — as opposed to just seeing footage of the actual subject matter in question. Unlike casting an actor to portray someone else’s experience or reinterpreting events through animation, using archival footage helps to see the real faces that once lived in spaces that no longer exist, to actual haunting, horrifying scenes of war in places where peace now exists. This synthesizes both the preservation of both art and history, because beyond just pinning names to a person on a list, archival footage can help better visualize untold stories and those who lived through them. 

They Call Me Babu is an documentary that composites archival footage to tell the story of Alima, a nanny who worked for a Dutch family in the former Dutch East Indies — Indonesia — during the 1940s. It originally premiered at the International Documentary Film Festival Amsterdam (IDFA) to audiences within the Netherlands. It was also slated to debut and tour in other regions in 2020, if not for the disruption of many events due to the COVID-19 pandemic. 

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