Can the New Black Canary Fix Arrow’s Problems?

Originally posted at A Latina’s Media Musings

Firstly, as an almost disclaimer of sorts, I’ve never been a fan of Arrow. Even in the show’s heyday of seasons one and two when it was praised and lauded as a great show and comic book adaptation. Though it bares moderate similarities to Green Arrow: Year One overall, it just wasn’t for me. However, I can look back on the show’s beginning seasons and see a clear pattern of character arcs that were leading to a greater picture. A picture that would create an adapted vision of the classic Green Arrow comics mythology.

Needless to say, that from season three onward, Arrow did not only continuously strive away from that proposed picture, but did so almost gleefully. It often felt at times that the show was more interested in using the brand names of “Green Arrow” and the original materials (or should I say Batman’s original materials) for the sake of hollowed out Easter eggs, than truly adapting them in interesting and creative ways. One of the best examples of this is the show’s depiction — and mishandling — of the Black Canary, aka Dinah Laurel Lance.

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Forget the DCEU: Warner Brothers Should Embrace the Multiverse

It has not been a great couple of weeks (years?) on the DC Films front.

After Dawn of Justice and Suicide Squad failed to live up to most people’s expectations last summer, Warner Brothers looked like it was starting to right the DCEU ship. Triumphant teasers for Wonder Woman and Justice League made DC the talk of San Diego, and fans were stoked for directors like James Wan, Rick Famuyiwa, and Ben Affleck to lend their visions to DC supeheroes. Well, less than a year later, 60% of those directors have been dropped and now, Ben (maybe?) doesn’t even want to be Batman anymore. And in the most WTF move yet, Warner has approached an actual misogynst, anti-semitic racist to helm a movie with the initials S.S.!

But, taking a page from Vulture’s always awesome , maybe Warner Bros. can use the chaos surrounding the DCEU as an opportunity… to blow up the whole damn thing.

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The Disappointing Truth About Supergirl’s Maggie Sawyer

Last year Supergirl hit CBS with a splash raking in a whopping 13 million viewers in its pilot episode and while the shows viewership dropped after its premiere, and eventually moved to smaller network The CW to join other DCTV shows, it is still a show that’s proving to be a positive investment for the network. 

Two on-going criticisms of the show, however, was the overall lack of women of color in what was supposedly a feminist superhero show, and the usage of coming out metaphors within the show’s narrative. Both criticisms were addressed during the season two promotional tour. The showrunners revealed that there would be an introduction — or rather a coming out — of a major LGBTIQA character on the show, along with the inclusion of Maggie Sawyer (a known lesbian in the DCU) and Sharon Leal as Miss Martian.

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The Dark Knight Changed the Way I Watched Movies

by Benjamin To | Originally published at BANDtogether

In the summer of 2008, there I was: A fresh-faced, 19-year-old pharmacy school dropout, a few months removed from stepping off the plane from humble Oregon and on to hopeful California soil. I had no direction of where I was going or knowledge of how to accomplish my lofty goals, but I knew I wanted one thing and one thing only: I wanted to be a part of cinema.

One of my first — and one of my favorite — jobs was when I worked as a film projectionist at a local movie theater. It was one of those summer jobs that lasted well beyond the summer. Even though the pay was trash and I hated some of my managers, I had access to free movies that were actually projected on 35mm film (which is on the verge of becoming an extinct format). I made sure to watch everything I could get my hands on from big budget action blockbusters to independently produced prestige dramas. Since I didn’t have the money to go to a traditional film school like USC or UCLA, the movie theater became my film school.

Everything that I have absorbed about appreciating and deconstructing cinema up to that point came to a climatic crescendo in the form of a tiny little art house flick called The Dark Knight, and it altered my perception of sights and sounds, forever.

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NOC Recaps The Flash: The Do Over

“I ran back in time because Zoom and my dad and things and I got to live with my parents and it was all good but then it wasn’t so I came back but everything is different and I want everything to change back.” – Barry Allen during this week’s panicked voiceover

Barry flips his shit so hard that he flips it all the way to Star City. All over Felicity. Who, like us, is like, “You just, like, run back in time? All the time?”

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NOC Recaps The Flash: It’s a Wonderful Reverse Life

We’re back! I think? Barry Allen is living an alternate reality with both of his parents. He’s retained his powers, but he’s spent the last three months laying low, summoning courage to speak to Iris West, hugging his mom and dad, and watching a yellow-clad Flash take care of Central City for a change.

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Batman Needs Ryan Potter for Tim Drake

Even though we originally wanted him to play Peter Parker in Civil War, there’s a new campaign to get Ryan Potter a live action superhero role. As previously discussed, #RyanPotterForTimDrake is the latest fan-led hashtag that’s gaining steam on the internet. Part of the reason is because Potter himself has been very vocal about it. So he came on Hard NOC Life to talk about what it means to be Robin. Just in time for #BatmanDay!

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#RyanPotterForTimDrake the Newest Fan Campaign for Representation

[ED. UPDATE 9/10/16: Ryan Potter’s self-made audition tape has been getting a lot of attention!]

There’s a new fan movement in the works that is determined to get Ryan Potter cast as Tim Drake in the DCEU films. Who is Ryan Potter? Potter, 20, is a young half-Japanese actor who’s best known as the voice of Hiro from Disney’s Big Hero 6. A martial artist himself, Potter has quickly risen to be a fan-favorite choice for Tim Drake amongst DC fans. And it all started with a tweet.

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How to Reboot Lex and Joker in the DCEU

It goes without saying that I haven’t been the biggest fan of Warner Brothers’ approach to the films based on their roster of DC Comics superheroes (also known as the DC Extended Universe). Even before Batman v Superman or Suicide Squad debuted to less-than-enthusiastic reviews, I went on record being against the DCEU’s tone and aesthetic. After BvS failed to become the pop cultural behemoth it was supposed to be, the folks at DC Films attempted a much publicized “course correction” to take their movie universe in a different direction — and if the Comic-Con trailers for Wonder Woman and Justice League are any indication, consider me all in for this new “course.” But as much as I’m looking forward to this new phase of the DCEU, I will never be satisfied until they recast the two characters I feel they’ve bungled the most: Lex Luthor and the Joker.

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