Marvel’s Most Epic Asian American Superhero Team-Up Ever

by Phil Yu | Originally posted at Angry Asian Man

Ms. Marvel! Shang Chi! Silk! Amadeus Cho! Has there ever been such an awesome assemblage of Asian American superheroes under the banner of Marvel Comics? Possibly probably not… until now.

Writer Greg Pak recently teased the upcoming cover of Totally Awesome Hulk #15, suggesting that this is the most significant grouping of Asian American superheroes that has ever starred in a mainstream comic book.

In Totally Awesome Hulk #15, kid genius Amadeus Cho — aka The Hulk — is slowly learning how to become a team player, but has to learn fast when Ms. Marvel, Shang Chi, Silk and a host of other heroes come to town.

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The Chronicles of Swanson: The Lying, The Witches, and The Wu

When it comes to the Doctor Strange film, it continues to be the Greek-bearing gift of racism that keeps on giving.

I had no doubts that the white supremacy would ensue the moment it was announced that the Grand Wizard would portray the eponymous Sorcerer Supreme.

The film didn’t disappoint in this regard. After all like attracts like.

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Ms. Marvel Wants You to Go Vote Today!

Today is Election Day in the United States. And the choice couldn’t be clearer for the millions of voters heading out to the polls. We’re either going to wake up tomorrow playing R.E.M. or Beyoncé. Later this month, Marvel Comics will be releasing Ms. Marvel #13 in which the book’s titular hero will be urging the citizens of the Marvel Universe to similarly exercise their inalienable rights to vote.

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Doctor Strange: Another Rich, White Asshole Courtesy of Marvel

Doctor Strange, directed by Scott Derrickson (Sinister), tells the story of Stephen Strange (Benedict Cumberbatch), a gifted neurosurgeon who is wrapped up in his own vanity. After karma executes Stephen’s fate he suffers irreversible damage to his hands, destroying his valued medical career. His desperate search for physical healing takes him to the Far East to a place called Kamar-Taj. There he meets the “Ancient One,” (Tilda Swinton) a mystical witch with undisputed power, and Baron Mordor (Chewitel Ejiofor) one of the chief masters of the Kamar-Taj temple. Strange believes the Ancient One is the key to healing his hands and returning back to the medical field. Little does he know he is smack in the middle of a war between good and evil. His visit to Kamar-Taj will be a turning point for Stephen Strange. He chooses to learn the ways of the arts but isn’t sure if this magical war is a good fit for him.

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Reviewing the Reviews of Marvel’s Doctor Strange

Six months and change after the release of its first trailer — and therefore about the same amount of time since co-writer C. Robert Cargill’s infamous “[t]he social justice warriors were going to get mad at us for something this week” rebuttal to Asian American critics of the film’s whitewashing — the initial reviews are in for Doctor Strange, and they’re not encouraging.

Oh, the movie? Actually, the critics seem to like it just fine. Being The Nerds of Color, however, we’re interested in looking at a different metric. Doctor Strange’s whitewashing of primary character The Ancient One was, after all, one of the driving forces behind the hashtag and rallying cry #whitewashedOUT in May.

So no, this isn’t a review of Doctor Strange the film, but a review of the reviews of the film, using a simple standard: how accurately and humanely did each review portray Asian American dissent over the whitewashing of The Ancient One?

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Color Commentary: Luke Cage

Color Commentary returns and this time we’re taking on the first season of Marvel’s Luke Cage.

In the spirit of MST3K and Honest Trailers, Color Commentary is done in complete satire, is intended for a mature audience and is meant for entertainment purposes only. In other words, if you take any of this seriously, you are a fracking idiot.

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#AAIronFist and The Law of Liefeld

So in desperate need of attention and relevance, Rob Liefeld has decided to weigh in on the #AAIronFist controversy.

For those of you just joining us, this summary here breaks it down.

Created at the height of the 1970s kung-fu movie craze, Iron Fist is an American who learns martial arts from masters at the hidden city of K’un-Lun. He becomes their best student and earns the power of Iron Fist, the ability to channel superhuman energy into his fists. Basically it’s a story about a white guy being better at martial arts than everyone else, steeped in tropes that critics regard as examples of cultural appropriation.

According to Liefeld, Iron Fist “has never ever been considered racist,” (never ever never ever) and casting an Asian American actor would be “reverse white-washing.”

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Luke Cage: Dig a Little Deeper

My sister, Dr. Tara Betts, dropped the Luke Cage syllabus over at Black Nerd Problems. It is a must read. I wanted to add to this wealth of knowledge by offering my own “special features” companion piece to Cage. I will present the following without description as I do not want to taint anyone’s experience. This is only a small amount if what is actually out there. I mentioned other books in my reflections on the series. You can read it here.

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Luke Cage is the Most Feminist Show on TV

Spoiler warning: spoilers throughout. Best to read this after watching the whole season! Which I recommend!

It was during a small, nearly throwaway scene deep in episode 10 that it hit me like Jessica Jones’ fist: Luke Cage is the most feminist show I’ve ever seen.

The scene, captured in the screen grab above, features four women characters — four black women, not a one of them under the age of 30 (and none of the actresses under 35) — each of whom is in fundamental conflict with the others, but who come together in two temporary alliances to fight a multi-level battle. Yes, it’s complicated.

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Luke Cage on Netflix: Sweet Christmas in Autumn

[Note: minor spoilers throughout.]

Let me be upfront and get this out of the way, I love Marvel and Netflix’s Luke Cage. I love it for the way it is shot. I love it for the unparalleled beauty of the soundtrack. I love it for its color palette. I love it for its hesitancy and awkwardness. I love it for some of the struggle-performances. But what I love the most about it is how black it is.

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