One of the the greatest cultural tragedies of the digital era is that De La Soul’s early music isn’t streaming. An early victim of the sample-clearance wars (over 70 on their masterful debut, 3 Feet High and Rising), De La’s cultural impact — and promise — has never been allowed to be fully realized. Not only has the streaming era proved to stifle De La’s early output, their contracts only covered physical media releases as no one anticipated that streaming would become the primary way we’d all experience media.

With new modes of delivery, new contracts have to be made for those previous albums. And De La has tried to do this in good faith, but Tommy Boy Records, the label De La was originally signed to, has refused to give them a mutually equitable deal. Tommy Boy would take the lion’s share of the profits, even though all of De La’s albums have recouped (made back initial production/investment costs).