Enter The Midnighter

If you’ve read this excellent site, follow me on social media, or have known me for five minutes, then you probably know that not only am I hopeless comic book geek and Midnighter is my patronus through and through.

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The Worlds Finest

A great bard by the name of Toni Morrison said it best, “I’m always annoyed about why black people have to bear the brunt of everybody else’s contempt. If we are not totally understanding and smiling, suddenly we’re demons.”
A few years back I had a major Come To Jesus moment while promoting my debut novel, Hollowstone.

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National Coming Out Day, Queer Self Love, and Becoming Midnighter

Today is National Coming Out Day. This year I’ve been reflecting on the trending hashtag #QueerSelfLove which emerged in response to the Orlando and LA Pride (attempted) attacks this past summer. It’s an initiative for LGBTQs to reclaim their power and celebrate who they are. It’s a great idea and I’m happy to see so many people have taken to it.

Truth be told, me loving myself has never been the issue when it comes to the systemic oppression I face in my day to day. It also goes without saying that one of the main battlefronts for said oppression is fandom. For me to survive much less thrive, I find myself constantly channeling my patronus. In short, when they come for this Clark Kent, they in turn meet Lucas Trent.

Midnighter Mode in 3…..2……1……..

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The Lie Behind “Honest Dialogue”

One of the things I hear all the time in nerd spaces is “why can’t we have a dialogue?” in terms of equal rights issues such as racial equality, media diversity, LGBTQ issues, etc.

Because as soon as the sun will rise, the moment a fangirl dares states that Batman: The Killing Joke is misogynistic, BBC’s Sherlock is homophobic, or that the Marvel Cinematic Universe is racist and lacking in diversity, white fans will move heaven and earth to silent marginalized fans. Whether it’s screaming oppression themselves resorting to bullying and stalking or even violence.

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Never Buy Black Panther Graphic Novels During Black History Month

I’m always fascinated when white geeks go on and on about how accepting and wonderful geek culture is. I don’t question their experience, I just can’t personally relate. For me, I have to be cautious of what venues of fandom I venture in, because it’s not unlike walking through gen pop, where you constantly have to look over your shoulder to make sure an inmate or warden doesn’t attempt to shank you. Or a better analogy would be making sure that while you’re always outnumbered, that you’re never outgunned like my patronus Midnighter.

The following happened a few years ago, but this tale definitely warrants a post just the same.

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The Unlikely Muse

Originally published on Latin Negro

“If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.”

— Toni Morrison

They say necessity is the mother of all invention and by extension, creativity. As a storyteller I’ve certainly found that to be true for the narratives I penned. As a queer geek of color, I’ve learned early on that geek culture is for white people for a number of reasons, and to be a PoC or an LGBTQ means to be treated like a pariah.

More than that, countless marginalized characters are endlessly undercut and buried due to the rampant bigotry that pervades the media. Extraordinary characters such as Storm (the First Lady of Marvel), Renee Montoya, Regina Mills, Freedom Ring, Midnighter, Cassandra Cain and countless others who have been lightning rods for racism, misogyny, and/or homophobia by fandom and the industry alike.

But as any artist will tell you, inspiration can often come in the unlikeliest of forms.

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Throwback Review: Grifter & Midnighter

Originally posted on GeeksOut.org

In honor of LGBTQ Pride Month.

The following a reminder why this isn’t the first time DC Comics promised a brand new day with diversity only to pull some of the most bigoted stunts in comics history.

Can you separate the art from the artist?

This is a question that’s often asked when it comes to enjoying the art separately from an artist’s personal (and often bigoted) views.

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