Snake Eyes: G.I. Joe Origins is just around the corner, and advanced tickets are finally available to purchase! To spread the news, Paramount and Hasbro have teamed up with the team behind Robot Chicken to share this stop-motion version of the classic G.I. Joe PSA.
Continue reading “Knowing ‘Snake Eyes’ Tickets are on Sale is Half the Battle”
Laika is back, and nothing makes me happier. More than any other American-based family animation studio, and yes, I’m including Disney and Pixar, there is a level of maturity and sophistication to everything Laika has done so far in their … Continue reading NOC Review: Light and Funny ‘Missing Link’ is Highly Laika-ble
LA Times film reporter Jen Yamato is the special guest on Hard NOC Life as we break down the reaction to Wes Anderson’s Isle of Dogs.
Continue reading “‘Isle of Dogs’ and the Need for Film Critics of Color”
by Phil Yu | Originally posted at Angry Asian Man
LAIKA, the acclaimed stop-motion animation studio that brought you Coraline and ParaNorman, recently released the trailer for its latest feature Kubo and the Two Strings, an epic adventure set in fantastical Japan.
The story centers on a young boy named Kubo who lives a quiet, normal life in a small shoreside village until a spirit from the past turns his life upside down. On the run from gods and monsters, Kubo must find a magical suit of armor once worn by his father, the greatest samurai the world has ever known.
The movie looks incredible. Check out this trailer:
Continue reading “Why is the Kubo and the Two Strings Cast So White?”
For those of you who aren’t aware, this year marks the 50th anniversary of the Rankin/Bass Rudolph The Red-Nosed Reindeer holiday special which airs annually on CBS. It’s a holiday special that I’ve always found unsettling.
I attended Catholic school between the third and the fifth grade and with the exception of two Asian students, I was the only POC in our entire class. Let’s just say at 8 years old I received a crash course in racism and we’re going to leave it at that.
Each year we would watch the animated classic of Rudolph. There was always something disturbing about the story. It wasn’t until last year when I came to the epiphany that the tale is a metaphor for minority plight.
Continue reading “Reading Past Rudolph The Red-Nosed Reindeer“
