On June 19, 1992, Batman Returns premiered and was unlike any comic book superhero movie that came before — or after. Starring Michael Keaton as Batman, Michelle Pfeiffer as Catwoman, and Danny DeVito as Penguin, Batman Returns was a beautiful dark twisted fantasy that doubled down on Tim Burton’s gothic tendencies and created one of the most enduring female characters in superhero cinema.
After shattering box office glass ceilings with a $200 million global debut, Keith breaks down the latest, and most successful, entry in the DC Extended Universe with two Wonder Women in their own right: N’Jaila Rhee (@BlasianBytch) — who also wrote the official NOC review — and Britney Monae (@HiBritneyMonae). Together they rank Wonder Woman against other comic book superhero movies and why the “No Man’s Land” scene is the best, discuss the problems with the last act of the movie, break down the argument that Gal Gadot is a person of color and/or a Zionist, and determine which Chris is the Ultimate Champion White Actor Dude Named Chris.
So… Wonder Woman is out. I volunteered to review it. Holy Heck, How do you review a film like Wonder Woman?
So recently I got an opportunity to catch director Guy Ritchie’s King Arthur: Legend of the Sword which stars Charlie Hunnam as The Once and Future King. The film can best be summed up as Camelocked Stocked and Two Smoking Barrels.
AMC’s Into the Badlands is in their second season and are going strong with their viewership, storyline, and martial arts. Unlike other series that attempts the martial arts genre, Into the Badlands’ stellar moves can be attributed to executive producer, and star of the series, Daniel Wu.
The Nerds of Color got a chance to sit down and chat with the actor about the second season and what makes the show so appealing to audiences.
One year ago, history was made when Batman v Superman: Dawn of
Wonder Woman Justice opened in theaters.
Why is this a cinematic milestone?
For the first time in history, the Man of Steel, the Caped Crusader, and the Amazon appeared together in a live action story. This is of monumental importance because not only are these iconic heroes the flagship franchises of DC Comics, they are also the cornerstones of western media and western culture.
Last week, Warner Brothers announced the addition of a solo Nightwing film with LEGO Batman director Chris Mckay to their DC film slate. The news sent fans into an excited tizzy and resulted in a slew of potential fan-chosen actors who could play the title role.
It’s been almost 20 years since Dick Grayson last appeared on the big screen in Batman and Robin as portrayed by Chris O’Donnell. Previous actors who have played Dick Grayson — or the Robin character — have been Douglas Croft, Johnny Duncan, and Burt Ward. There have also been two television shows, The Graysons and Titans, that were meant to feature Dick Grayson as the central character. Both, unfortunately, were scraped by their respective networks.
So there’s been a lot of fan interest in a Nightwing/Dick Grayson-centric media property for a long while. Now with Warner Bros. making it official, fans are eagerly awaiting to see who will put on the black and blue suit as our hero. All the talk about who can, and should, play Dick Grayson on the big screen has also brought up the truth behind Dick’s heritage in comics canon.
That truth being Dick Grayson is part Rromani.
It has not been a great couple of weeks (years?) on the DC Films front.
After Dawn of Justice and Suicide Squad failed to live up to most people’s expectations last summer, Warner Brothers looked like it was starting to right the DCEU ship. Triumphant teasers for Wonder Woman and Justice League made DC the talk of San Diego, and fans were stoked for directors like James Wan, Rick Famuyiwa, and Ben Affleck to lend their visions to DC supeheroes. Well, less than a year later, 60% of those directors have been dropped and now, Ben (maybe?) doesn’t even want to be Batman anymore. And in the most WTF move yet, Warner has approached an actual misogynst, anti-semitic racist to helm a movie with the initials S.S.!
But, taking a page from Vulture’s always awesome
Last year Supergirl hit CBS with a splash raking in a whopping 13 million viewers in its pilot episode and while the shows viewership dropped after its premiere, and eventually moved to smaller network The CW to join other DCTV shows, it is still a show that’s proving to be a positive investment for the network.
Two on-going criticisms of the show, however, was the overall lack of women of color in what was supposedly a feminist superhero show, and the usage of coming out metaphors within the show’s narrative. Both criticisms were addressed during the season two promotional tour. The showrunners revealed that there would be an introduction — or rather a coming out — of a major LGBTIQA character on the show, along with the inclusion of Maggie Sawyer (a known lesbian in the DCU) and Sharon Leal as Miss Martian.
In the summer of 2008, there I was: A fresh-faced, 19-year-old pharmacy school dropout, a few months removed from stepping off the plane from humble Oregon and on to hopeful California soil. I had no direction of where I was going or knowledge of how to accomplish my lofty goals, but I knew I wanted one thing and one thing only: I wanted to be a part of cinema.
One of my first — and one of my favorite — jobs was when I worked as a film projectionist at a local movie theater. It was one of those summer jobs that lasted well beyond the summer. Even though the pay was trash and I hated some of my managers, I had access to free movies that were actually projected on 35mm film (which is on the verge of becoming an extinct format). I made sure to watch everything I could get my hands on from big budget action blockbusters to independently produced prestige dramas. Since I didn’t have the money to go to a traditional film school like USC or UCLA, the movie theater became my film school.
Everything that I have absorbed about appreciating and deconstructing cinema up to that point came to a climatic crescendo in the form of a tiny little art house flick called The Dark Knight, and it altered my perception of sights and sounds, forever.