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What Worked (and Didn’t) in ‘Avengers: Infinity War’

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by Benjamin To

I finally understand now why this machine took ten years to assemble. This film is pure spectacle in every best sense of the word. Once the first second starts rolling, it’s all pedal to the metal for 149 minutes.

WHAT WORKED:

WHAT DIDN’T WORK:

Somewhere during the apex of these Marvel years, when we were getting a barrage of franchise after franchise, I was, admittedly, fatigued. How many more origin stories do we need to sit through? How many more one-dimensional villains? But, but witnessing it all come together in a glorious technicolor fire, I understand the appeal once more after having finally seen the ultimate vision, the strings that connects and merges all these films together into one magnum opus.

Its joyful, unpretentious spirit reminded me of why I love comics. I picked up my first comic book in 3rd grade. It was Iron Man #290. I didn’t fully understand what it was or the gravity of its legacy, but I was immediately fascinated by Tony Stark’s technical ingenuity, resourcefulness, and his commitment to doing the right thing. It became a gateway, for me, to a lifelong passion for comics.

This film transported me back to grade school, to those formative years of naive idealism and reckless imagination. I instantaneously felt the same adrenaline, dread, and wonder as when I first read Iron Man #290. If anything, give these creators credit. They set a precedence in cinema that may never be duplicated or matched again.

With that said, it’s difficult to judge this as a standalone piece. Without the awareness and commitment in keeping up with the other previous 18 Marvel films, this particular film could come off as a series of messy, noisy vignettes with a purple rock face guy at the center of it all. BUT AS AN EVENT… it has some serious payoff for its loyal devotees. Think of it as an epic penultimate episode to your favorite television series. It’s a roller coaster ride of only rising crescendos. It’s one big ass third act: ALL CLIMAX.

Call me a fanboy. Call me an irrational nerd, but I am all in on this ride.


Benjamin To is a Los Angeles based writer, director, and producer who founded BAND WITH NO NAME Films. His work has been featured in numerous publications, such as NBC News, The Los Angeles Times, and The Huffington Post, for creating artistic discussions about media diversity and representation. Benjamin recently received his Bachelor of Arts in English Literature from the California State University, Fullerton. He is currently creating exclusive content for NBC Asian America, writing his first feature film, and (hopefully) making his Mom proud.

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