Super Smack’s Journey to Reclaim Cuteness

It’s been well over a year since I met Super Smack in our last interview for his song “Black and Gold” featuring Mega Ran, and we’ve talked and hung out several times after. So when he approached me about interviewing him for the singles off his new project, I was a bit hesitant at first, but my curiosity and excitement won out. I’m happy to say that this is the first of many short interviews with Super Smack for each of his upcoming singles and debut album. 

Continue reading “Super Smack’s Journey to Reclaim Cuteness”

I Renounce My Elysian Citizenship

Strange. All I remember from Elysium is sand.

Sand without end. Sand that cakes upon people and things, children and toys, mothers and baby bottles. Sand on the productive and listless alike. Desert sand. Sand that obscures hope and defines poverty. The opening scenes of Elysium, director Neill Blomkamp’s recent sci-fi thriller, center the viewer in a ruined Los Angeles, circa 2154, populated by an undifferentiated brown stuff only George Orwell could appreciate. American Marrakech. Quickly, we learn that the only people who live in this God-awful Depression postscript are those without means; an undeveloped protagonist dreams of Elysium, where poverty, war, sickness, and even death have been vanquished by man. Heaven, not on Earth, but above.  The nun who listens with ancient grace cautions the roguish boy. “That place is not for us.”

We’ve heard this refrain before. Know your place.

Continue reading “I Renounce My Elysian Citizenship”