Continuing the celebration of #BlackExcellence in February, I’m proud to announce that yours truly has been putting in that work and my latest short story, Where Monsters Roam, is featured in the new BLACK POWER: THE SUPERHERO ANTHOLOGY which is available now.
On February 21, 2011, the world lost a legend. Dwayne McDuffie passed away at the age of 49, leaving behind a towering legacy in comics and television. McDuffie was one of the founding fathers of Milestone Media, a prominent writer for DC Comics, and the brains behind DC TV Classics like Justice League, Justice League Unlimited, and Static Shock. His influence on comics and superhero storytelling reverberate to this day. One writer who was inspired by McDuffie is David F. Walker, currently writing Occupy Avengers for Marvel and has previously written Cyborg for DC. David joins Keith and Desiree (Britney is out this week) to remember the life and times of Dwayne McDuffie.
A great bard by the name of Toni Morrison said it best, “I’m always annoyed about why black people have to bear the brunt of everybody else’s contempt. If we are not totally understanding and smiling, suddenly we’re demons.”
A few years back I had a major Come To Jesus moment while promoting my debut novel, Hollowstone.
Originally posted at A Latina’s Media Musings
Firstly, as an almost disclaimer of sorts, I’ve never been a fan of Arrow. Even in the show’s heyday of seasons one and two when it was praised and lauded as a great show and comic book adaptation. Though it bares moderate similarities to Green Arrow: Year One overall, it just wasn’t for me. However, I can look back on the show’s beginning seasons and see a clear pattern of character arcs that were leading to a greater picture. A picture that would create an adapted vision of the classic Green Arrow comics mythology.
Needless to say, that from season three onward, Arrow did not only continuously strive away from that proposed picture, but did so almost gleefully. It often felt at times that the show was more interested in using the brand names of “Green Arrow” and the original materials (or should I say Batman’s original materials) for the sake of hollowed out Easter eggs, than truly adapting them in interesting and creative ways. One of the best examples of this is the show’s depiction — and mishandling — of the Black Canary, aka Dinah Laurel Lance.
Originally posted on Just Add Color
Chuck Clayton has gone down as the first character Riverdale’s penchant for reinvention has revamped in the worst way possible. This is not the way for the show to enter its first Black History Month.
It has not been a great couple of weeks (years?) on the DC Films front.
After Dawn of Justice and Suicide Squad failed to live up to most people’s expectations last summer, Warner Brothers looked like it was starting to right the DCEU ship. Triumphant teasers for Wonder Woman and Justice League made DC the talk of San Diego, and fans were stoked for directors like James Wan, Rick Famuyiwa, and Ben Affleck to lend their visions to DC supeheroes. Well, less than a year later, 60% of those directors have been dropped and now, Ben (maybe?) doesn’t even want to be Batman anymore. And in the most WTF move yet, Warner has approached an actual misogynst, anti-semitic racist to helm a movie with the initials S.S.!
But, taking a page from Vulture’s always awesome
So Misty Copeland and Dwayne “The Rock” Johnson, two of my favorite superheroes, have spoken out against the Under Armour CEO Kevin Plank for his support of President Donald Trump. The athletic clothing company sponsors both A-list superstars. That’s both awesome and to be expected given that both Copeland and Johnson are the epitome of Black/Asian Excellence.
My question however is this. Marvel CEO Isaac “Ike” Perlmutter gave a $1 million to Trump’s presidential campaign and continues to support his administration. Why aren’t any of the white actors from Marvel Studios stepping up and calling him out like Copeland and Johnson did Plank?
With the recent confirmation of Jeff Sessions for Attorney General of the United States, Chris Evans has proved to us just how much he is like his film counterpart, Captain America. Evans recently tweeted his disappointment in the confirmation of Sessions. And his argument? David Duke’s praise for Sessions:
When I heard Abrams was developing a graphic novel adaptation of Octavia E. Butler’s Kindred I was of two minds. I wasn’t sure if one of the most important books in the history of literature could be accurately represented in the graphic form. Even though I’m a rabid comic book fan, I felt a comic version of the novel would somehow cheapen it. But it was John Jennings and Dr. Damian Duffy, and I trust them implicitly. They have a decade plus relationship and have put out some of the most interesting and innovative comics work during this time.
They’re geniuses, and this isn’t hyperbole. This book here illustrates the genius of their partnership.
A few weeks back, we posted about Greg Pak teasing the cover of Totally Awesome Hulk #15, in which Amadeus Cho — aka The Hulk — was joined by Ms. Marvel, Shang Chi, and Silk. Never before had so many Asian American superheroes been gathered on the cover of a mainstream comic book. I recently had a chance to preview the issue — which hits stands this Wednesday, January 25 — and I was actually moved to tears at how resonant it was to see these characters embody being unapologetically Asian American.