Despite this new revival of Flower Drum Song having a second revision from David Henry Hwang, no amount of rewrites can shake the core that this Rodgers and Hammerstein musical, now playing at East West Players, is still very much outdated as an orientalist and voyeuristic crowd pleaser for old white people with subpar musical numbers.
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It’s been a few days but after watching the world premiere of Olivia Dufault’s For Want of a Horse at Echo Theater Company, I am still at a loss of what exactly the point of the play is. It’s well acted and well directed with perhaps a deep meaning to it but ultimately, it’s a play about a man who has sex with a horse. Are we supposed to be more empathetic of folks who commit such acts? Do we condemn it? Is this even a discussion worth having?
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Gabriel Rivas Gomez‘s Level Up!, now having its world premiere at the Latino Theater Company, is a cute and ambitious multimedia-heavy play that is unfortunately bogged down by too many storylines.
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Nocturne Theatre’s Jesus Christ Superstar has not only reinvigorated this classic Andrew Lloyd Webber musical with their astounding production work and talent but through conscious & well thought-out casting decisions, has given it urgent relevancy in the world we live today.
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Though Kim’s Convenience, now having its run at Center Theatre Group, is enjoyable in its many funny and touching moments, Ins Choi‘s 2011 play is very much outdated in its necessity to showcase Korean identity and culture that is completely catered to white people.
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Hamid Rahmanian‘s Song of the North, now currently playing at Pasadena Playhouse, is an extraordinary multimedia production that is a marvel for all ages to enjoy. Utilizing shadow puppetry (483 puppets!!) and projected animation with immense success to reimagine the Iranian epic Shahnameh, the joy and magic found in this adaptation is undeniable.
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Do you like quiche? Do you like immersive theatre? Do you like outrageous comedies fused with social commentary in the form of a nuclear apocalypse? Then 5 Lesbians Eating a Quiche, now having its Los Angeles premiere via New Forms LA, will fill that savory spot just right, even if its pacing suffers a bit near the end before revving right back up for a fantastic finish.
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There are many incredible ingredients at work with the Los Angeles premiere of Jackie Sibblies Drury‘s 2019 Pulitzer Prize winning drama Fairview, now playing at Rogue Machine Theatre: a crackling ensemble cast, an intriguing and twisty premise, and a thrilling direction by Oz Scott. But despite these elements present, the play fall short of its clever ambitions as it settles into an abstract moral message play written primarily for white people.
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There is something truly remarkable when you witness a play that not only makes marine biologist wholly relatable but that you feel so much compassion for a giant octopus puppet and inspire mythical wonder in the deep watery unknown. Such is the accomplishment of Weston Gaylord’s Octopus’s Garden, now having its world premiere in this gorgeous co-production with Boston Court Pasadena, Circle X Theatre Co., and Outside In Theatre.
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Exceptionally strong acting from their two leads make up for a somewhat predictable and safe pyramid scheme story in Lauren Smerkanich‘s The Dignity Circle, now having its world premiere at Theatre of Note.
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It’s been so long since I felt this indelible feeling of magic while watching a play but the world premiere of John Guerra‘s Room By The Sea, a triple co-production with Coin & Ghost, After Hours Theatre Company, and Outside In Theatre, has achieved just done that. This is a tale that not only transports the audience to a fantastical place but like the best of genre, it creates a haunting parallel to our current world. And best of all, the immense efforts to incorporate significant global majority and accessibility presence is truly what Los Angeles theatre at its finest is all about.
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A fantastic all-Filipino cast cannot hide the simple fact that Here Lies Love, now having its West Coast premiere at Center Theatre Group, is a shallow, poorly written musical with relentless static disco tunes. It is also absolutely confused in whether they want to glorify their subject Imelda Marcos or warn about the dangers of fascism.
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Despite a golden missed opportunity to cast global majority actors for the main roles of Mozart/Salieri/Constanze that would have richly amplified the narrative, there is a lot to love about the Pasadena Playhouse production of Peter Shaffer‘s Amadeus with the fantastic set and lighting design, the incredible ensemble cast, and the powerhouse performances of their lead actors Jefferson Mays and Sam Clemmett as Salieri and Mozart respectively.
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With the West Coast premiere of Poetry for the People: The June Jordan Experience at the Fountain Theatre, this uniquely moving and stirring choreopoem honors the work and life of June Jordan, one of America’s most fearless writers and human rights activists.
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The Los Angeles independent remounting of Rajiv Joseph‘s Guards at the Taj (the last one was in 2015 at the Geffen Playhouse) is a strikingly well done and hauntingly relevant production that also utilizes fantastic genderbent casting and an endearing post finale that credits all crew involved, a practice that is rarely ever seen in theatre.
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There is no doubt that the events of 2025 and already the first two months of 2026 have provided an unfortunate wealth of materials for playwrights to mine from. But with the world premiere of The Circle at Greenway Court Theatre, the clock rewinds back to July 2016 in Texas set during the backdrop of the Black Lives Matter protests that occurred immediately after the murder of Philando Castile.
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With the holiday season in full swing, one will find numerous renditions of The Nutcracker in their area for their own enjoyment. Here in the Los Angeles area, we had last week’s coverage of American Ballet Theatre but now I would love to put a spotlight on Pasadena Dance Theatre with their fresh and imaginative production of this timeless Tchaikovsky classic coming to the historic San Gabriel Mission Playhouse on December 20 and 21, 2025.
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The prestigious American Ballet Theatre celebrates its tenth season of The Nutcracker at the Segerstrom Center for the Arts as it returns to the stages for 14 spell-binding performances from December 11 to 21. This landmark season features ABT’s international all-star cast under the leadership of artistic director Susan Jaffe, with choreography by Alexei Ratmansky, costumes by Tony winner Richard Hudson, and Pyotr Ilyich Tchaikovsky‘s iconic score performed live by Pacific Symphony. With this significant milestone, we wish to highlight the incredible global majority artists that will grace the stage!
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When I first heard that the Paranormal Activity franchise has been adapted into a staged production, I was immensely skeptical of its scare factor on stage and that there was a worthy story to be told that can hold on its own. But in a shocking turn of events, Paranormal Activity: A New Story Live On Stage has defied all my expectations as a genuinely engaging and terrifying experience that will absolutely delight all horror/thriller fans and newcomers alike.
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Annemarie Jacir’s Palestine 36 is an epic historical film that takes the audience back to 1936 when Palestine began to make a great push resisting British colonial rule. It is not only an astoundingly well made film with incredible performances, it is a film that is a much needed history lesson that needs to be shown in every school and university in western nations and around the world. At its core, the film shows the Palestinian resistance for what it really is: a fight for freedom and independence which has been going on for many, many decades.
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For better or worse, one of the oldest tropes in Asian American identity stories is often the generational & cultural divide between the immigrant parents and their American-born children. Ankita Raturi’s नेहा & Neel, now having its world premiere at Latino Theater Company in collaboration with Artists At Play, manages to breathe new life into this trope while also being downright hilarious in such an inexplicable mad genius kind of way, thanks to one of the actors playing over a dozen(!?!) characters.
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Prince Gomolvilas’ Paranormal Inside, now having one of its rolling world premieres at East West Players, achieves the astounding feat in being a play that is so compelling while fully utilizing multiple global majority actors across different spectrums in meaningful ways, completely deliver on its supernatural premises to jaw-dropping effect, and also be a sequel that welcomes those who have knowledge of the previous play while not being entirely necessary for those who are unfamiliar. It is the perfect play arriving just in time for this year’s Halloween season.
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I’m normally not a fan of watching an anthology of short plays, but attending the opening night of Towne Street Theatre’s In Response was a most pleasant surprise as there were some exceptionally strong short plays that truly stood out.
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