Judging merely from the 9+ hours of gameplay I’ve played so far, Star Wars Jedi: Survivor is a worthy sequel to its already fantastic Fallen Order original and expands the game in every way from accessibility, lightsaber & Force combat options, vastly increased open worlds to explore, and a companion combat system that never gets in your way.
Continue reading “The Boglings 2, aka a ‘Star Wars Jedi: Survivor’ Review”
I have to make a conscious effort of reviewing plays I am invited to cover without learning anything about it and just go in completely blind. In this day and age, such an effort is difficult to do and even more so when the individual such as myself is an information devouring maniac.
Continue reading “A Los Angeles Theatre Review: ‘Kiss of the Spider Woman’”
Thanks to the folks at Electronic Arts and Respawn Entertainment, I was able to play four hours of the upcoming Star Wars Jedi: Survivor and right from the get-go, if you’re a fan of Star Wars Jedi: Fallen Order, you’re gonna love the upcoming sequel, which will be available for the PlayStation 5, Windows, and Xbox Series X/S on April 28.
Continue reading “Fighting a !!%@! Rancor in ‘Star Wars Jedi: Survivor’”
I will always cherish plays, especially original plays, that have global majority actors be the leads in content that have nothing to do with their race/culture but rather other pressing issues of life, which in this particular case is an upcoming baby shower for a group of friends and the “baby question” that all the women in Nina Braddock’s Untitled Baby Play individually grapple with. Presented by IAMA Theatre Company and currently playing at the Atwater Village Theatre, the play does a tremendous job giving each of the ensemble members a chance to shine.
Continue reading “A Los Angeles Theatre Review: ‘Untitled Baby Play’”
You would be hard pressed to find me wanting to watch a Shakespeare production willingly. While I am painfully aware his works are considered the echelon of fine performance arts training, my distaste for it only grew as a vast majority of Shakespeare productions only utilize white actors for the meaningful parts.
Until now.
As in-person theatre is making more of a return throughout the United States and particularly in Los Angeles where I reside, there’s been a surge of plays that deal with traumatic topics of race when all or most of their cast members are that of Global Majority.
Continue reading “A Los Angeles Theatre Review: ‘Celestial Events’”
For all you horror lovers out there, there is a fantastic horror film created by Asians and starring Asians that is worthy of your attention and that’s Ming Siu Goh and Scott C. Hillyard’s horror thriller Repossession. Before I go more into it, the film is now available across digital platforms, courtesy of Gravitas Ventures.
Continue reading “Prepare Yourself For ‘Repossession’”
To be watching plays again inside a theatre after 18 months was certainly a strange experience considering that Poor Clare, now playing at the Echo Theater Company, was something I was supposed review right before the pandemic shut everything down and drastically altered our lives for many months to come. To finally be able to watch this play (written by Chiara Atik and directed by Alana Dietze) was made all the worthwhile in how utterly fantastic it was and how much its themes struck even harder after everything we experienced during this chaotic time.
Continue reading “Los Angeles Theatre Review: ‘Poor Clare’”
Over the past three years, I’ve encountered some truly remarkable voiceover actors from the PGM (People Of Global Majority) community, so remarkable that I thought it would be a worthwhile endeavor to dedicate an article about themselves, their accomplishments, and where you can find them and do so every week. When will this end? Most likely never so as I cackle at the infinite posts this may generate, I am so very happy to tell you all that my spotlight for this week is on Robb Moreira! (Banner design once again done by the incredible VO artist/graphic designer Belsheber Rusape Jr.)
Continue reading “The VO Actors of Global Majority You Need to Know: Robb Moreira”
Over the past three years, I’ve encountered some truly remarkable voiceover actors from the PGM (People Of Global Majority) community, so remarkable that I thought it would be a worthwhile endeavor to dedicate an article about themselves, their accomplishments, and where you can find them and do so every week. When will this end? Most likely never so as I cackle at the infinite posts this may generate, I am so very happy to tell you all that my spotlight for this week is on Krizia Bajos!
Continue reading “The VO Actors of Global Majority You Need to Know: Krizia Bajos”
Over the past three years, I’ve encountered some truly remarkable voiceover actors from the PGM (People Of Global Majority) community, so remarkable that I thought it would be a worthwhile endeavor to dedicate an article about themselves, their accomplishments, and where you can find them and do so every week. When will this end? Most likely never so as I cackle at the infinite posts this may generate, I am so very happy to tell you all that my spotlight for this week is on Belsheber Rusape Jr.! (Banner design was also created by him for he is a master of all trades).
Continue reading “The VO Actors of Global Majority You Need to Know: Belsheber Rusape Jr.”
Over the past three years, I’ve encountered some truly remarkable voiceover actors from the PGM (People Of Global Majority) community, so remarkable that I thought it would be a worthwhile endeavor to dedicate an article about themselves, their accomplishments, and where you can find them and do so every week. When will this end? Most likely never so as I cackle at the infinite posts this may generate, I am so very happy to tell you all that my spotlight for this week is on Ryan Colt Levy! (Banner design once again done by the incredible VO artist/graphic designer Belsheber Rusape Jr.)
Continue reading “The VO Actors of Global Majority You Need to Know: Ryan Colt Levy”
Over the past three years, I’ve encountered some truly remarkable voiceover actors from the PGM (People Of Global Majority) community, so remarkable that I thought it would be a worthwhile endeavor to dedicate an article about themselves, their accomplishments, and where you can find them and do so every week. For this week, my spotlight is on Emi Lo! (Banner design by the incredible VO artist/graphic designer Belsheber Rusape Jr.)
Continue reading “The VO Actors of Global Majority You Need to Know: Emi Lo”
During intermission while watching An Octoroon (written by Branden Jacobs-Jenkins and directed by Judith Moreland) at the Fountain Theatre, an old white woman randomly came up to me and asked what I found so amusing in this play. First, I had to get over the shock that a live human being was touching me (without permission) and getting up in my face to ask this question because after all, this was my first time watching a play with a live audience (albeit in an outdoor theater) in 16 months. Second, what WAS I and primarily all the other POC audience members laughing about?
Continue reading “Los Angeles Theatre Review: ‘An Octoroon’”
Almost two years ago, Greg Pak took the reins of rebooting the James Bond 007 comic book series but this time, having a revisionist take on a familiar and iconic villain, first introduced in the 1959 novel Goldfinger: Oddjob. Not only was the reimagined take refreshing and very much needed, the series itself was incredibly well done with the plot moving at a brisk pace, the action fun and invigorating to read, and the rivalry/bickering between James Bond and Oddjob (now known as South Korean secret agent John Lee) extremely entertaining and amusing to read.
Continue reading “Meet the New Oddjob in 007 Short Film ‘A Kill From The Other Side’”
We’re back with another horror film festival that’s coming to a monitor near you (which shouldn’t be pretty far as we continue the #PandemicLife), this time with the folks at HorrorHound, one of the most popular horror/genre conventions & film festival dual combos in the United States! And yes, once again, our Make A Wish short film starring Josephine Chang and yours truly will be playing at this festival. But first, an official press release statement from HorrorHound itself so you can know the full extent of how in-depth this event will go as it is not a typical film festival:
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With the pandemic still very much interwoven into our lives, so has it affected film festivals around the world as they had to adapt quickly and either convert their screenings to drive-in theaters or go completely virtual. And for folks like myself and my fellow NOC writing & real life partner, Josephine Chang, our timing couldn’t be any worse as our short film Make A Wish started its festival circuit run right when the U.S. shutdowns occurred in March (or at least it did for us Californian folks at that time).
But we’ve been very fortunate to be accepted by so many wonderful genre/horror film festivals that took a chance with our fun little project. And along the way, one in particular stood out and it is here that I want to bring a special spotlight to a horror film festival that’s coming up virtually on September 1 and running till September 7th (available only for the West Coast and South West United States areas as it is geolocked). That festival is the Horrible Imaginings Film Festival which is located in Santa Ana, California.
They all have a million secrets. What’s so bad about this one? The St. Catherine’s drama club is struggling to put up its first school play – Sophocles’ “Antigone.” As if staging this tragedy in an all-girls Catholic school isn’t challenging enough, the cast’s beloved director ends up betraying them in an unforgivable way — and it’s almost opening night! The cast must figure out the right course of action, all while rehearsing a classic play about impossibly difficult choices. What is the right thing to do? And must the show go on?
Antigone, Presented By The Girls Of St. Catherine’s came with much eager anticipation. Presented by Sacred Fools (which put up a fantastic world premiere production of Gifted), written by Madhuri Shekar, and directed by Reena Dutt (who knocked it out of the park with her previously directed play Defenders), did the play met my expectation? More after the jump below:
Continue reading “Los Angeles Theatre Review: ‘Antigone, Presented By The Girls of St. Catherine’s’”
Earlier this month, I watched the opening premiere of West Adams at the Skylight Theatre Company and the first immediate thought I had when it finished was:
“Oh damn, this is Rich Liberal White People (And One Chinese Woman) Gone Crazy.”
I’ll definitely go more into this after the break as there were tremendous things to be praised for this show (acting, directing, and production design aspects) but at the core of it was a very troubling and, at times, a baffling story. Who was the intended audience? That aspect remains unclear but more on this later:
Continue reading “A Los Angeles Theatre Review: ‘West Adams’”
In the realm of Los Angeles intimate theatre, efficiency and constraint are often unfortunately emphasized as budget limitations become the all-too familiar factor hovering over anyone who dreams of doing anything grandiose. So when I heard about a World War II play written by Cailin Maureen Harrison that was going to have its world premiere with the Pandelia’s Canary Yellow Company, I was intrigued because my burning question was: How exactly do you stage a WWII story in a black box setting and do so compellingly??
Continue reading “A Los Angeles Theatre Review: ‘Defenders’”
This marks my second NOC Theatre review since Hannah and the Dread Gazebo performed at the Fountain Theatre a few months back and it was here that my key interest in doing so was a commitment/announcement of sorts. For as much as I can, my focus will be to review plays & musicals with the qualifying criteria that the director, writer, and/or one of the main cast members (not supporting/ensemble but one of the leads) MUST be a non-white artist. The more PoC in the cast/production team, the better I’ll want to review it as I’ll give a glaring stink eye to all things tokenism.
It’s not often we here at The Nerds of Color review theatre performances but once in a while, there comes a production so wonderful, magical, and full of heart that it must be told for all to know. That production is Hannah and the Dread Gazebo, performing in Los Angeles at the Fountain Theatre (in association with East West Players) from now till September 29.
Continue reading “A Los Angeles Theatre Review: ‘Hannah and the Dread Gazebo’”
It’s the first week of July and for the third time in a row, my fellow NOC writer Josephine Chang and myself will be back in the halls of the Los Angeles Convention Center among thousands of others (last year had 110,000 attendees) from July 4 to July 7!
