The trailer for The Great Wall, starring Matt Damon and directed by Zhang Yimou, dropped yesterday and my first reaction to seeing it: What. The. Frack? Why is a white dude in a film about… More
I’ll say this much for the new Ghostbusters film, it’s staying true to the spirit of the franchise. Apparently.
Just as Ernie Hudson got thrown under the bus and treated like garbage during the release of the original Ghostbusters film, Leslie Jones is enduring the same crap in wake of the reboot.
Originally posted at YOMYOMF
A little context before you jump into reading this: I’m a child of immigrants (access: child of immigrant experience) who grew up in the suburbs of Chicago: the not very diverse kind of suburb (access: white suburbia experience).
I’ve been a Trekkie since I was about seven years old when Star Trek: The Next Generation (TNG) first aired. Up until then, my father and I use to watch some old Star Trek episodes or the films… Star Trek IV: The Voyage Home was a favorite of mine. It was great to see George Takei up there, but I really loved seeing Uhura be the strong independent female especially by the time the films came out.
For the second year in a row, we are co-hosting a special meet up with our friends at Black Girl Nerds and this time we’re officially bringing along the crew from Racialicious to party with us on Friday night at the Hilton Bay Front Hotel (click here for additional photos of the space)! Click through for more info and we’ll see you at the con!
If you follow this site, you know there aren’t many things we obsess over more than The CW’s DC Universe and Hamilton. And since most of the original cast of the Broadway phenomenon has moved on — or is about to move on [sadface] — I figured why not mash up our favorite things and imagine which DC characters the Hamilton cast could play in the Berlanti-verse? We all know how much they love casting Broadway talent on these shows in the first place. Besides, Lin himself has said we should expect these guys on our favorite shows anyway:
When Netflix announced a reboot of the Voltron franchise, the inner child in me jumped for joy. More, I felt an instant connection to my identity as an Asian American. You see, when I think of Voltron, I’m instantly transported back to the 5th grade where I spent my time insisting to my American friends that, in the Philippines, Voltron (and a live-action TV show that turned out to be Super Sentai) was a thing before the Power Rangers. My friends wouldn’t believe me and would only laugh harder when I’d proffer that not only was Voltron a thing, but that it was actually better than the Power Rangers.
Voltron is tied, then, to that part of me that identifies as distinctly Asian American and to finally see a reboot that introduces this great franchise to a new generation is such a treat. That the first episode starts off with such great quality makes it like TV lumpia for me. Clocking in at just over an hour, the ambitious attempt to set and sketch the universe that this iteration of Voltron in is not only given space via quality writing and animation, but also time in this outsized episode. More, a roster of recognizable names lead by The Walking Dead’s Steven Yeun as Keith, along with delightful surprise Rhys Darby as comic relief via Princess Allura’s (more on her in a bit) right-hand man, Coran.
Recently, Marvel sent out a press release teasing Cage – an upcoming Luke Cage solo comic to be written and illustrated by Genndy Tartakovsky with inks by Stephen DeStefano.
The series, Marvel explains, takes places in late ’70s New York City where the “shoes are big, bottoms are belled and crime is rampant!”
Apparently Tartakovsky’s Cage is meant to be a send-up(?) of the era’s wave of Blaxploitation, which wouldn’t be so much of a problem were it not for the decidedly problematic art style the book it set to have:
As you might expect, it begins with a selection of starters: today, do you choose fuming rage, crushing grief, or helpless fear? Perhaps you feel all three. Or none. Being Black in America is not just some game that anyone can control, after all.
As a Black Nerd it’s impossible to ignore that in the same week that we gained Pokémon Go, arguably one of the most anticipated games of the year, we lost Alton Sterling and Philando Castile to police brutality (who in reality are part of an even longer list of murders by the police this week alone). Once again the debates flare up between distraction and self care, between what people “should” be talking about or feeling at any given moment. But if Pokémon taught me anything, it’s that there is always another option than the “starters” you’re given, and sometimes this, too, is its own revolutionary act. I’m talking about allowing ourselves to sometimes choose Black joy. No, the Blackest Joy.
[Ed. note: Over the weekend, our own Daniel José Older found himself on a plane with nothing to do but watch Batman v Superman (which is now available digitally and will be released on blu-ray in two weeks). His tweet thoughts have been collected below. Enjoy.]
#BatmanvSuperman really was dumb as shit tho. For me not to enjoy a movie on a plane it has to be an utter waste of time.—
Daniel José Older (@djolder) July 02, 2016
I am in no way presenting that being adapted for the screen is a measure of success. I am exploring why someone as beloved, talented, and influential as Octavia Estelle Butler hasn’t been presented on television, or projected 50 feet tall in a movie theater. Here is an excerpt of my explorations:
Even though the Smithsonian’s CrossLines pop-up culture lab on intersectionality happened two months ago, we’ve been milking our live artist conversations ever since. Sadly, today marks the final live edition of Hard NOC Life, but it’s definitely worth the wait! Join acclaimed artists Matt Huynh and Yumi Sakugawa as they talk about their work and installations presented at the Smithsonian.