Now that the film has been released for over a week — with considerable box office success, trade publications like Deadline and Variety, among others have released articles about how the Asian American media watchdog group, MANAA, has followed Keith’s lead and declared the film to be guilty of whitewashing:
First things first: Pan — opening in U.S. theaters this weekend — is a colorful, action-packed PG-13 reimagining of the origins of Peter Pan and his relationships with and to Captain Hook, Tiger Lily, and Neverland as we know them through J.M. Barrie’s play and novel and their myriad subsequent Broadway, Disney, and Hollywood (re)interpretations.
My daughters, ages 11 and 6, enjoyed the film, and the 6-year-old, who often asks to leave the theater during intense or “scary” action sequences, made it through with only a bit of parental ear-covering during loud bits. The world-building and -design and the effects were beautiful and well-done, with visual call-backs to many fantasy, science fiction, and action films that parents will recognize fondly (the Mad Max films and Avatar being just an example) and original effects like giant bubbles of water containing aquatic life floating in the sky that I will remember for a while. But it’s the twists, and the questions and consequences they bring up, that I want to talk about now. So from here on in, SPOILERS AHEAD.
UPDATED OCTOBER 9, 2015
This is definitely my favorite time of year. Autumn is in the air, and superheroes are back on my television. PS, you might be disappointed that the byline for this recap doesn’t say “Connie.” I’m going to fill in for her on the Season 4 premiere recap while she holds it down at New York Comic-Con.
So be gentle on me, Olicity shippers!
I bet you didn’t think that our second season would include Barry Allen ditching Team Flash to become a mysterious midnight contractor, Cisco becoming a semi-cop, Harrison Wells making things right, and Iris West actively-in-the-know regarding all things concerning The Flash. Yes, that all happened… or did it? I don’t know who or what to trust anymore after the re-imagined reality that was the episode’s opener.
It’s like one minute you’re in a bear hug (Barry-hug?) with Grant Gustin… but then you pull back to realize you’ve been hugging the sharp bony angles of Ezra Miller instead. NO NO NO. NOT MY FLASH. HE IS NOT MY FLASH. #NotMyFlash
We continue our spotlight on Kearny Street Workshop and its APAture2015: Future Tense, a series of showcases featuring emerging artists from the San Francisco Bay Area. This Saturday, October 10, the Comics & Illustration Showcase will feature a number of comic book artists. Yesterday was my interview with artist Thi Bui. Today, I chat with Jason Bayani, Program Manager of Kearny Street Workshop.
Even though the movie is more than a year away, we cannot contain our excitement for Moana, the newest addition to Disney’s iconic princesses. Set for a Thanksgiving 2016 release, the movie will star Dwayne “The Rock” Johnson as the demigod Maui and 14-year old newcomer Auli’i Cravalho has been tapped to play the titular Princess Moana. That’s right, a Disney Princess movie about Hawaii starring actual Pacific Islander actors in the roles of Pacific Islander characters. And Emma Stone is nowhere to be found!
For as long as I can remember, one description of comics has prevailed: comic books are adolescent white boy power fantasies. If you look at the majority of the offerings, it would be kind of difficult to dispute this. Go to any comic shop and you will see a crowd of covers presenting overly muscled white men and impossibly voluptuous white women competently combating some evil, some threat that is just as anatomically disproportionate as the hero/ines are.
Comics, at first glance, are filtered through a firmly and profoundly white and male point of view. But this is a cursory view. If you dig, research, or explore beyond the DC/Marvel axis, this notion begins to lose its stickiness.
Kearny Street Workshop, one of the oldest and well-known arts organization in the Asian Pacific American community, proudly presents APAture2015: Future Tense, a series of showcases featuring emerging artists from the San Francisco Bay Area.
On Saturday, October 10, the Comics & Illustration Showcase will feature a number of comic book artists. Below is a brief Q&A with Thi Bui, who is the featured artist at this year’s showcase.
The countdown begins, and I’m super excited to announce the guests I’ll be having at my booth for New York Comic-Con this weekend!
It’s always a pleasure and honor for me getting friends to come do some signings, but this year just seems to have some more excitement for me.
As we do every year, we take some time to preview the upcoming debuts of our favorite superhero shows. And since Netflix recently announced The Flash will be joining Arrow to stream, everyone can catch up before both shows return next week. To discuss those shows and others, criminology professor ‘Shawn Smith makes his triumphant return to the NOC, joining our resident Flash recapper and TV superfan Christelle Gonzales (@christellexoxo).