In a fateful example of perfect timing, the airing of Into the Badlands episode nine, titled “Nightingale Sings No More,” coincided with Mother’s Day. So how does the Badlands writing crew celebrate mothers? By ripping their babies away from them, locking them in solitary confinement, and having them duel their daughters in deadly sword-to-sword combat, of course! More on that in a minute…
This weekend news broke that after two issues, Marvel’s Black Panther & the Crew has been canceled.
The series revolved around Black Panther, Storm, Luke Cage, Misty Knight, and Manifold who band together to take on a dangerous wave of street-level threats in this new ongoing series by co-writers Ta-Nehisi Coates (New York Times best-selling author of Between the World and Me and Marvel’s Black Panther) and Yona Harvey (Black Panther: World of Wakanda) and legendary artist Butch Guice!
The death of a Harlem activist kicks off a mystery that will reveal surprising new secrets about the Marvel Universe’s past and set the stage for a big story in the Marvel Universe’s near future. Fear, hate and violence loom, but don’t worry, The Crew’s got this: “We are the streets.”
Anyone who thinks the cancellation has to do with “poor sales” and not the comics’ themes of racial justice and unapologetic blackness can line up and purchase some beachfront property I own in Wyoming.
I just wanted to let you know about my new e-book (paperback version will drop in a week), Parables, Vampires, and Pregnant Men: The Narrative Resistance of Octavia E. Butler. Adapted from my graduate work, this little volume refutes C.M. Kornbluth’s assertion that science fiction is unable to work as social critique.
I’m really not at all interested in reviewing or analyzing Sense8 again, but I would like to get mah nerds into a discussion about the ENORMOUS plot holes, and the weird turns this in-spite-of-it-all-compelling show has taken. So let’s just launch in, shall we? In no particular, but very SPOILERY, order:
by Shannon Gibney and Lori Askeland
Hulu’s reboot of The Handmaid’s Tale opens with a car chase: the protagonist (Elisabeth Moss), who will later be called “Offred,” is racing with her husband Luke (O-T Fagbenle) and daughter Hannah (Jordana Blake) in their faded, old model Volvo through a frozen landscape, sirens of their invisible pursuers wailing.
The decision to introduce us to Offred as a member of an interracial family revealed an obvious break from the overwhelmingly white world of the novel and 1990 movie. Many reviewers construed that fact — and the powerful presence of Samira Wiley in the role of Offred’s badass lesbian friend, Moira — as undeniable evidence that the series would be more intersectional in its approach to feminist themes than the novel had been. (“There’s intersectionality, too, with Moira, a lesbian, played by a black actress, Ms. Wiley,” was the breezy quip of the New York Times’ Katrina Onstad.) But sadly, bodies of color alone do not a liberatory racial narrative make. Indeed, a deeper look at the series shows the uncomplicated, and therefore, problematic effects of this “colorblind” casting.
Happy Asian American Pacific Islander Month!
Good news! The story of the Ni’ihau Incident is coming to the big screen. Bad news? Hollywood has learned nothing from the whitewashing outrage that has been in the zeitgeist for the last year.
I watch, I drink, I spit hot fire. Yup, you guessed it, spoilers ahead.
Colossal checked off a lot of boxes for what I would theoretically enjoy in a movie. Directed by Nacho Vigalondo, it is often funny, surprisingly dark, and an inventive new take on kaiju movies. I like all those things. The lead, Gloria, is easy to root for as played by star Anne Hathaway. And Jason Sudeikis impresses as Gloria’s friend and eventual foil, Oscar. For about half of the movie, I found this all very enjoyable.
There are few nerdy pursuits that bring me a lot of pure joy anymore. Hamilton, of course, is one, and Into the Badlands is the other. And like what the homie Shawn Taylor said, sometimes it just feels better to big up a thing you love than to tear down something you don’t. That’s why I love giving these HamLands recaps to you, the people. One, unwarranted Hamilton references is kinda my thing — just ask my poor family. And two, the hashtag Into the HamLands — which was initially designed to house Badlands-specific Hamilton puns, IS BEING USED BY THE CAST AND WRITERS OF THE SHOW! (Badlands, that is. Still waiting for Lin to chime in.)
So when Veil herself tweeted this gem below, I knew it had to be the title of this week’s ‘cap!
We are living in a truly golden age of nerdom. There are several superhero films out each year — the amount of films increase each subsequent year; damn near every night of the week you can watch a superhero, supernatural, paranormal, or spy-fi program, comics are everywhere, graphic novels are taught in the academy — our once exclusive (and highly ridiculed) club is, gasp, mainstream. Going mainstream comes with its own set of problems. But I want to focus on what I feel is the primary problem of this golden age: Toxic Fandom. Continue reading “Toxic Fandom”