AMC’s Into the Badlands might have gotten a ten-episode second season (up four episodes from season one), but there’s no slowing down narratively. Episode 2 — which is actually chapter 8, proving just how propulsive the story of the Badlands is — wastes no time getting Sunny out of the mines, after a pretty awesome, and gruesome, fight scene to open the show. I would put the rest of the episode into three distinct buckets, that just so happen to coincide with a line from Hamilton‘s “My Shot.” And yes, I’m keeping up these #IntoTheHamLands recap titles all season!
When Chappelle’s Show dropped in 2003, never in my history of comedic television viewing had a first episode been so explosive. Clayton Bigsby was the most audacious thing I’ve ever seen. A black white supremacist? I, along with millions of others, was hooked. Until then, Dave Chappelle was a marginal comic presence. He had bit roles in Robin Hood: Men in Tights, Blue Streak, Undercover Brother, and other films. Then he became a star with the stoners for the cult classic, 1998’s Half Baked. He was a stand-up whose career consisted of mostly juvenile and scatological humor with flashes of the socially and culturally relevant comedy displayed on the first two seasons of Chappelle’s Show. He was a hard worker. Dude toured and gave it his all. It was fascinating to see him mature from confident performer to a master of crowd control. Continue reading “A Tale of Two Daves, Past and Present”
It’s too bad Iron Fist wasn’t remotely close to being as entertaining and brilliant as the backlash it’s been receiving. If it had, it would’ve been as popular as Daredevil or Luke Cage as opposed to being one of the biggest punchlines of 2017.
I’m sure one day we’ll all be tired of the proverbial “T” Madame Gao is serving us.
However, today is not that day.
Shifting into Midnighter mode, I’m about to demonstrate my 8-point strike on the fustercluck of white mediocrity that is Iron Cyst.
The art of “translating” a media property from one cultural context to another requires more than simple language transliteration. Translating works of art has existed from the moment people from different cultures encountered one another. But at what point does translating something for an American audience necessitate whitewashing as well? Today, we’re going to look at two animated properties available on Netflix — Yo-Kai Watch from Japan and Miraculous: Tales of Ladybug & Cat Noir from France — to determine at which point whiteness trumps cultural context when making a kids’ show more acceptable to American audiences.
After more than a year off the air, AMC’s dystopian martial arts epic Into the Badlands has finally returned! And with it, so have these NOC Recaps. Speaking of which, I’m going to try to title each recap with a line from Hamilton because 1.) seriously, have you met me?; and 2.) the Badlands writers have basically challenged me as much. So, appropriately enough, the Season Two premiere is named after a lyric from “Yorktown.”
by Andrea Tang
This weekend, between bouts of story-editing, I meandered my way through the first four episodes of Netflix’s Iron Fist, which I’m actually quite enjoying so far, probably for the same reasons I’ve seen Vampire Academy three times. I’m pretty sure the writers pitched this series as, “What would happen if you put a goldendoodle puppy in the body of a WASPy ten-year-old blue blood, then traumatically dropped him off in the Himalayas for Fifteen Whole Gap Yahs? Probably, he would die, but that is boring and untrue to comics canon, so what if we made kung fu magic happen along the way in a manner most likely to bring the wrath of Edward Said’s ghost down on our heads? LET’S FIND OUT.”
Originally posted at Just Add Color
Into the Badlands is coming into its second season March 19, and even though we’re psyched about the level of action and and suspense, we’re also focused on the family aspect of the show, which is worrying about how Sunny’s going to get back to his family, Veil and their newborn baby.
For several months now, it’s been teased on both The Flash Podcast and Supergirl Radio that with the epic musical crossover between The Flash and Supergirl, both podcasts would of course come together for a crossover of their own.
On Tuesday, March 21 at 9pm PT / 12am ET, the two podcasts will come together for a special live show, following the musical crossover between The Flash and Supergirl. The live show will be hosted at Mixlr.com/DCTVPodcasts where hosts of both podcasts will be discussing the big musical event.
We are rapidly approaching the release of Iron Fist, the fourth Marvel series on Netflix, and reviews have been less than kind. When the show announced it had a (non-Asian American) showrunner, NOC re-introduced the hashtag #AAIronFist. It was an attempt to get Marvel to acknowledge that Iron Fist is a character whose origins are Asian, and should be played by a person of Asian descent, to increase representation in media.
For my part, I wrote an opinion piece about why we need an #AAIronFist. I submitted that being Asian, or even half-Asian, would give Danny Rand a depth to his character that we hadn’t seen before. The “stranger in a strange land” trope where the white man is the foreigner has been done to death, and is vaguely insulting. An 8-year old orphan comes to magical Asian land and becomes the ultimate martial artist? That right there is the definition of the white savior.
Why would my approach have been more interesting? Let me educate you on what it’s like to be an outsider.
Filmmaker Releases Iron and Rage to Contribute to National Conversation of Fairer Asian American Representation in Hollywood.