Konfederates Keep Koming

So news broke yesterday that the creators of Rape of Thrones are creating a new series called Confederate. It essentially reimagines the South winning the Civil War and slavery continuing.

Because in the age of a Trump presidency, Dylan Roof and #BlackLivesMatter, white power fantasies are exactly what we need.

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Six Thoughts On The 13th Doktah’

So this weekend Doctor Who regenerated for the 13th time and is now a woman. Jodie Whittaker is replacing Peter Capaldi as the iconic Timelord.

As with all things speculative fiction and social justice, social media has been lit, to put it mildly with everyone expressing opinions for and against the new Doktah.

I have a thoughts on the new casting as well. Hence me writing this piece and you reading.

Allons y!!!!!!!!

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Game of Thrones The Musical: The SDCC Version!

Just in time for tonight’s hotly anticipated season 7 premiere of Game Of Thrones comes a musical romp that takes our favorite characters into a much more light hearted spin. Coming off a successful run in Los Angeles earlier this year in February, the musical is now heading to San Diego Comic Con from July 20 to 23.

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NOC Recaps Into the Badlands: Who Lives, Who Dies, Who Tells Your Story?

So that happened.

We’ve been singing the praises of Into the Badlands all season, but man, that death was disappointing. I’ll keep the spoiler about which character(s) met their ultimate demise until after the jump. Just know that it has made me reevaluate how I feel about this show.

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Waiting for the Into the Badlands Finale

The second season of AMC’s Into the Badlands concludes on Sunday, so our intrepid live tweeter Laura Sirikul joins Keith to look back on one of our favorite shows! Of course, they can’t help juxtaposing Ballands and Iron Fist, but they also explain Daniel Wu’s previous comments about whitewashing and why Oliver Stark needs to be a guest on a future episode. They also share their predictions about the finale and how Keith decided to mashup Badlands and Hamilton for #IntoTheHamLands.

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Michelle Yeoh is the Starship Captain We’ve Been Waiting For

by Phil Yu | Originally posted at Angry Asian Man

Hell yes. Fellow Trekkies, rejoice. The first-look trailer for the new CBS All Access series Star Trek: Discovery has dropped, and the latest foray into the final frontier looks pretty damn awesome, not least because of one badass looking starship captain in the form of one Michelle Yeoh. MICHELLE FRICKIN YEOH.

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NOC Recaps Into the Badlands: Disciplined Dissidents

In a fateful example of perfect timing, the airing of Into the Badlands episode nine, titled “Nightingale Sings No More,” coincided with Mother’s Day. So how does the Badlands writing crew celebrate mothers? By ripping their babies away from them, locking them in solitary confinement, and having them duel their daughters in deadly sword-to-sword combat, of course! More on that in a minute…

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Sense8 Season2: So Many Questions

I’m really not at all interested in reviewing or analyzing Sense8 again, but I would like to get mah nerds into a discussion about the ENORMOUS plot holes, and the weird turns this in-spite-of-it-all-compelling show has taken. So let’s just launch in, shall we? In no particular, but very SPOILERY, order:

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Race, Intersectionality, and the End of the World: The Problem with The Handmaid’s Tale

by Shannon Gibney and Lori Askeland

Hulu’s reboot of The Handmaid’s Tale opens with a car chase: the protagonist (Elisabeth Moss), who will later be called “Offred,” is racing with her husband Luke (O-T Fagbenle) and daughter Hannah (Jordana Blake) in their faded, old model Volvo through a frozen landscape, sirens of their invisible pursuers wailing.

The decision to introduce us to Offred as a member of an interracial family revealed an obvious break from the overwhelmingly white world of the novel and 1990 movie. Many reviewers construed that fact — and the powerful presence of Samira Wiley in the role of Offred’s badass lesbian friend, Moira — as undeniable evidence that the series would be more intersectional in its approach to feminist themes than the novel had been.  (“There’s intersectionality, too, with Moira, a lesbian, played by a black actress, Ms. Wiley,” was the breezy quip of the New York Times’ Katrina Onstad.) But sadly, bodies of color alone do not a liberatory racial narrative make. Indeed, a deeper look at the series shows the uncomplicated, and therefore, problematic effects of this “colorblind” casting.

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