The new horror film Dying to Kill, starring stand-up comedian Dwayne Perkins, will make its debut this Tuesday, December 13 on Hulu. On this week’s Hard NOC Life, Dwayne — who also co-wrote the film — is joined by his co-star Lynn Chen, as well as the film’s writer/producer Koji Steven Sakai, and writer/director Raymond C. Lai to talk about the process that went into making the film.
This essay contains spoilers for both the television series and the comic book.
I don’t have cable. So I usually have to wait until the day after to watch The Walking Dead. As luck would have it, I’m in a cheap hotel with complementary AMC with my daughter when the episode “Thank You” airs. Six years old, my daughter is in the bath and complains about the sound from my television show — the two things that she fears the most, while awake and in her nightmares, are racists and zombies. Our compromise is that I turn the sound down and the captions on. And then I watch one of my favorite characters in pop culture get deluged in zombie claws, teeth, blood and guts.
Ryan Nagata has worked in Hollywood as a prop builder and model maker as well as a director for television and web series. His latest project, which he co-wrote and directed, is a feature length film that pairs up the unlikely duo of stars, Randall Park and Steve Agee, for a horror-comedy set in a desert called Amigo Undead. I had the opportunity to interview Nagata about Amigo Undead, his film background, and his thoughts on CGI vs. practical effects.
This will be the very first NOC recap for the Showtime horror show Penny Dreadful, which just premiered its second season on Sunday. And what a relief it is to have it back as I very much miss this delightfully dark show with freaks and ghouls that have a penchant for murder. For those who are just catching on, season one focused mostly on revealing dark secrets for the main cast, which includes Vanessa Ives (Eva Green), Sir Malcolm Murray (Timothy Dalton), Victor Frankenstein (Harry Treadyway), his creation Caliban aka The Creature (Rory Kinnear), and Ethan Chandler (Josh Harnett) whose big secret was that he’s a hairy rampaging werewolf.
Yes, folks, there is a thing more dangerous than a feral, brain-munching horde of zombies: A straight white man who swears that he will do everything in his power to save and protect you and your children.
If you didn’t learn this one, primary lesson from five seasons of The Walking Dead, then you might need to go back and rewatch them right quick, ‘cause this is a lesson that isn’t just applicable in the Zombie Apocalypse.
In this week’s epic and appropriately bloody season finale, we got to see this truth played out in spades in the aftermath of Rick officially Losing. His. Damn. Mind after tackling his new lady’s (in his mind only) husband Pete — which spiraled out into the street where they commenced to beat each other to a pulp — until Michonne knocked him out, ostensibly to save him and the townsfolk (and us) from himself.
Years ago, before the TV show existed, a fellow Asian American comic nerd suggested I check out this series called The Walking Dead. I read through the first trade paperbacks and have kept reading, (admittedly begrudgingly the last couple of years) ever since. I was impressed that there was an Asian American male character, Glenn Rhee, a pizza delivery driver and weed dealer who seemed like a good hearted, normal kid.
When the show rolled around, I wasn’t feeling it at first, but I did like the actor they selected for Glenn, Steve Yeun. Of course, anyone paying attention to the show knows by now that Glenn is a fan favorite regardless of race and that the actor, Steve Yeun, is considered a hottie. Those of us Asian Americans on pop culture watch, of course, also appreciate the added layers: Asian American men are seldom portrayed as likeable, desirable guys in Western pop culture.
Fun Size Horror is a horror film collective that has come together to create 31 films that celebrate Halloween! This unique carnival of terror kicks off today and will last until the last trick-or-treater. You can find all of the terrifying shorts distributed across DreadCentral, BloodyDisgusting, ShockTilYouDrop, Collider and HitFix, all week!
One of the included short films, Sleeper, was directed by my good friend Michael Velasquez. Fortunatley, I was able to convince Michael to answer a few questions about his short, as well as some of the things that keep him up at night.
Many of us nerds were bullied as kids, and subsequently we dreamed not of a world without violence, but some sort of payback. Slicing up our tormentors with lightsabers or adamantium claws. Slow motion punching the jock bully in the jaw, hopefully while beautiful women were watching. As we grew older, some of us questioned this desire for retribution, our conditioned response (particularly in straight males) to strike back. But what do we do with these contradictory feelings, our questioning of violence as power against our catharsis when we see the bad guy get his comeuppance?
The Japanese cult classic film Battle Royale looms large in the minds of pop culture nerds ambivalent over our negative reaction to violence and our desire to see stylized versions of it. Battle Royale is almost meta in its questioning of this contradiction: a future Japan is made safe by telecasting, once a year, a brutal contest wherein a random class of young people is set in a trapped zone with weapons, and only one person is allowed to leave alive.
In the latest video, I give a talk about what makes endings great and what works and doesn’t work about the Penny Dreadful finale, including the Apache Pinkerton race-fail.
In the latest video, I give a brief discussion on storycraft by discussing two things that the television shows Penny Dreadful and Breaking Bad get right when it comes to backstory.