Because in the age of a Trump presidency, Dylan Roof and #BlackLivesMatter, white power fantasies are exactly what we need.
One of my New Years resolutions was dedicating this year to leveling up, specifically as an author and artist. Or rather as an auteur. 😉
Breaking personal records and churning out more pieces than ever, I’ve spent the better part of the year in nonstop writer mode which of course is the equivalent of Puppet Angel.
Author Scott Tracey recently announced on social media that he is re-releasing his popular Witch Eyes trilogy.
So recently I got an opportunity to catch director Guy Ritchie’s King Arthur: Legend of the Sword which stars Charlie Hunnam as The Once and Future King. The film can best be summed up as Camelocked Stocked and Two Smoking Barrels.
Originally published at Fangs for the Fantasy
A gent by the name of Malcolm X once said, “The media’s the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that’s power. Because they control the minds of the masses.”
Many people often wonder how I’m able to reconcile being a spec fic author with being a social justice activist. Malcolm X’s quote is that very reason.
Because while the media has the power to control the minds of the masses, it’s also a platform to hold a mirror and expose inconvenient truths such as bigotry to a society who is still plugged into the proverbial Matrix of privilege and institutional oppression.
But in order share the truth, marginalized artists have to make many decisions that can play an impact on our careers, our art and its potential impact on society.
Last night The Vampire Diaries came to an end after eight seasons. In saying farewell to the gang from Mystic Falls, it seemed only right to take this opportunity and give the spotlight to the series’ most valuable player.
You guessed it, Bonnie Bennett, played flawlessly by the beautiful and immensely talented Kat Graham.
The Great Wall was, as the movie posters implied, about how we should all say #ThankYouMattDamon. Yes, he comes up with the brilliant plans that the Chinese hadn’t figured out in the last 2,000 years (even though there was a clue in ancient texts) and all that white savior stuff — fittingly, the movie was written by the same guy who wrote The Last Samurai. Seriously, you can’t make this stuff up). But I’m not gonna talk about it because you can find it all over the internet.
You can read about the plot here — or read Valerie’s review here — so you know what I’m going to be talking about, but it’s basically Starship Troopers in ancient China. But there was a theme that made me not want to slit my wrists and go screaming out of the movie theater (which was the case when I saw Kubo and the Two Strings, but that’s for another day). What was it? It was the portrayal of womyn.
Originally posted at Black Girl Nerds
All that is lacking in substance is made up for with gorgeous imagery in a Zhang Yimou’s new and pointless film, The Great Wall. Whomever his set people are, give them all the awards because they bring their A-game when it comes to costume and set design. But I digress.
I’m not sure what I expected, but I certainly wasn’t expecting the Silk Road version of Edge of Tomorrow featuring giant Komodo Dragons. Shouldn’t a larger budget allow more time to work on perfecting the CGI? How many Adobe-editing programs did they use to get these monsters to look as fake and silly as they do? Zhang Yimou should stick to martial arts dramas because he is out of his element with The Great Wall.
Update 11/25/16: The original version of this post stated that Tina was simply white. I have since realized that Tina’s full name is Porpentina Goldstein, and that she and her sister Queenie are likely of Jewish descent (and thus both have only conditional whiteness). I have updated the post with this information in mind.
The Harry Potter universe is a world that’s followed most of us since we were kids. While in many respects it’s aged along with us — we see Harry grow up and have kids, and the film Fantastic Beasts is certainly aimed at an older audience — in other aspects it has remained disappointingly behind the times. In particular, Fantastic Beasts is yet another example in the Potterverse of how marginalized folks, particularly queer people and/or people of color, continue to be exactly that: marginalized.
October is Black Speculative Fiction Month and like legions of others, I am celebrating it something fierce.
Why does Black Speculative Fiction Month matter?
Black Speculative Fiction Month matters because now more than ever our stories must be told and our voices must be heard. Black Speculative Fiction Month matters because too often at cons and writing events, I’m the only nonwhite guest in attendance.