Please Cast These Actors in a Live Action Star Wars: Rebels

This Saturday, Disney will air the third season finale of Star Wars: Rebels, and by all indications, it’s going to be awesome. I’ve said it before, but Rebels is probably my favorite entry into the Star Wars canon since Empire Strikes Back. Season three has only solidified its GOAT status as far as televised Star Wars stories go. If you don’t believe me, be sure to check out last week’s episode set on Tatooine — which only made me want a solo Obi-Wan movie even more.

In tandem with Rogue One, Star Wars: Rebels is the perfect bridge between the prequels and the Original Trilogy. And not for nothing, Rogue One, in a way, featured the first live action incarnations of our favorite members of the Ghost crew. While Chopper was the only Rebel we saw on screen, if we ever get to see the rest in the future, here are the actors I’d like to see playing them.

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Translation or Whitewash? The Problem with Yo-Kai Watch in America

The art of “translating” a media property from one cultural context to another requires more than simple language transliteration. Translating works of art has existed from the moment people from different cultures encountered one another. But at what point does translating something for an American audience necessitate whitewashing as well? Today, we’re going to look at two animated properties available on Netflix — Yo-Kai Watch from Japan and Miraculous: Tales of Ladybug & Cat Noir from France — to determine at which point whiteness trumps cultural context when making a kids’ show more acceptable to American audiences.

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Ghost In The Shell: Worse Than We Thought

On February 28, I saw a 15-minute sneak peek of the Hollywood adaptation of Ghost in the Shell. From the announcement of the project, this has always been a bad idea. But the announcement of the cast and story has made things much worse. Most noticeably, Hollywood adaptations of Japanese anime have yet to be successful. Either their stories veer too far from the source material, the director isn’t a good fit or the casting makes no sense. You would think Hollywood would learn, yet here we are, on the precipice of another anime-adapted flop.

Here are the takeaways from what I have seen of Paramount’s Ghost in the Shell so far.

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I Cape For Black Women

What makes a hero? Is it the super powers? The skill sets? The gadgets? Our intentions? Our actions?

I’m a comic book guy through and through so these are the questions that haunt me. There are moments in our lives that define us. That we allow to define us through our choices, our mistakes and how we respond to them. Sometimes those moments are big, sometimes they are minute. But in those moments we definitely learn the content of our character.

Here’s an example.

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Super Sixteen: Top Television Shows of 2016

It’s one of my favorite times of the year. It’s where I review the best and brightest that television had to offer in the previous year. If you haven’t already, you should check out my Top Films of 2016. Go ahead, check it out, I’ll wait. No really, I’ll wait. You back? Awesome.

As is the standard with my movie year-in-review, my television selections have to pass the Upkins Media Litmus Test.

Without further adieu…

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Ghost in the Shell and the Complexity of Cultural Appropriation

by Trungles

There is an old fairy tale popularized by Hans Christian Andersen as The Little Mermaid. I’m one of those odd first-and-a-half generation Vietnamese American immigrants, and tales of living in between spaces have always held my attention. The story goes that a little princess from a world under water wants to live on the land. She falls in love, exchanges her tongue for a pair of legs, and finds herself thrust into the unenviable circumstance of navigating a strange space where she literally has no voice. Ultimately finding no place for her in the world for which she had given up everything, she casts herself off the side of a ship into the ocean, drowns, and dissolves into sea foam. Victorian sentiments about Christianity and moralizing stories for children eventually got Andersen to amend the ending. This is more or less the state of Asian American identity politics. We’re always finding ourselves caught between “where we come from” and wherever we yearn to belong.

The buzz around the 2017 Ghost in the Shell film, among many other film and television projects of its ilk in recent memory, has ignited a bevy of thinkpieces about cultural appropriation and the nature of Asian American identity politics. The topic is complicated.

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Ghost in the Shell Trailer is Just as Racist as Everything Else This Week

by Dominic Mah | Originally posted on YOMYOMF

Wow, where to start with this trailer. It OPENS on a person in stylized Japanese esoteric garb to tell us how much we’re in that place Japan where things are weird. Who is this person? Don’t know, don’t care at all.

Then we get a pretty faithful live-action recreation of the original Ghost in the Shell’s elegant opening action sequence, pretty much nailing the point home that the only reason you aren’t aware of this seminal science-fiction already is because it didn’t have Scarlett Johannson in it, and now we fixed that for you.

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New NBC Series Makes Light of Human Trafficking and Asian Stereotypes

Move over, Fresh Off the Boat! There’s going to be a new show in town that will diminish all the progressive work you’ve done for Asians.

Deadline announced recently that NBC has picked up a half-hour sitcom called Mail Order Family, a comedy about a widowed single father who orders a mail order bride from the Philippines to help raise his two preteen daughters.

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Creator Profile: The Ghetto Geppetto

There isn’t a week that goes by that I’m not asked some version of the following questions: “How do you know about all this comic book stuff?” It is usually followed up by: “There is so much out there. How do you know if it is any good?”

Instead of rehashing here my plea for people to take risks on art and culture, I’ve decided to be more proactive.

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