This is an excerpt from a book I started in 2008. I wanted to take a more academic approach to afrogeek and afrofuturist culture and cultural artifacts. I felt this section was important in the present, in light of our new political reality. The books is done, but I’m not sure how I feel about publishing an academic text in a time when we need information to be as clear as possible. Continue reading “Butler, Dystopia, Propaganda, and a Way Through?”
This is a guest post from my wife, Janet Christine Mendoza Stickmon. It is a little off from what we usually cover but in these times, it is a very necessary read.
I received a few emails and messages from people who wanted to support the AfroGeeks Unite! summer camp, but didn’t want to wear a shirt with a raygun on it. I completely understand. We’re living in interesting times and the raygun (with the RBG colors) design could be interpreted in a variety of ways… ways some folks may not be comfortable with.
With this in mind, I’ve added two new designs:
This has been a dispiriting couple of weeks. We are facing a new political reality and now, I feel, there is an increased social, political, and creative urgency — something I’ve never felt before. To address this, me and a few local Bay Area creators have decided to launch AfroGeeks Unite! It is a small initiative that aims to get more POC youth (particularly black youth) involved in the speculative fiction (used as a catchall for SF, comics, horror, etc.) community.
The day after the election, I received a message from a frenemy I’ve known since junior high. He has kept close tabs on me and my career, always presenting himself as “devil’s advocate” or “the rational voice of the other side of the argument.” Basically, he’s a book smart troll I didn’t block because of the insidious effects of nostalgia. His message was one line:
“What good is all that science fiction stuff, now that we’ve won?”
Amongst my friends and family, it is no secret that the only holiday I care about is Halloween. No, it isn’t just because the candy is free and flowing — although this is a huge bonus. What I love the most about he holiday is that there is this unbridled demonstration of ingenuity, creativity, and imagination. People get to step a little outside of their mundane lives and step into the realm of the fantastic.
Another thing I love are the costumes. I don’t think I’m alone in this, especially amongst my fellow NOC. While many of us were too busy to dress up, we made sure that our children did.
I would like to present to you the NOC Parade of Costumes: Our Children’s Addition.
If you’re in the Bay Area this week, you should attend this conversation. It is one of our events leading up to 2017’s Black Comix Arts Festival, a Co-Presentation of MoAD, Cartoon Art Museum, and Black Comix Art Festival.
Join the Cartoon Art Museum and Black Comix Art Festival at the Museum of the African Diaspora for, “Ajuan Mance in Conversation with Shawn Taylor,” an evening celebration of current Bay Area cartooning sensation Ajuan Mance as part of the SF Comics Fest. Writer Shawn Taylor from The Nerds of Color will chat with Ajuan about her latest projects in illustration, cartooning and writing, her creative process, her recent rise in popularity, and what she plans to achieve next.
My sister, Dr. Tara Betts, dropped the Luke Cage syllabus over at Black Nerd Problems. It is a must read. I wanted to add to this wealth of knowledge by offering my own “special features” companion piece to Cage. I will present the following without description as I do not want to taint anyone’s experience. This is only a small amount if what is actually out there. I mentioned other books in my reflections on the series. You can read it here.
[Note: minor spoilers throughout.]
Let me be upfront and get this out of the way, I love Marvel and Netflix’s Luke Cage. I love it for the way it is shot. I love it for the unparalleled beauty of the soundtrack. I love it for its color palette. I love it for its hesitancy and awkwardness. I love it for some of the struggle-performances. But what I love the most about it is how black it is.
I will present to you one of the most beautiful sentences in recent memory: Ava DuVernay is directing the film adaptation of Madeline L’Engle’s A Wrinkle in Time. The sentence itself isn’t beautiful, but what it conveys is. We’ve all seen the hype and hoopla around DuVernay being the first black women to helm a $100 million dollar film. While this is an accomplishment worth lauding, DuVernay can make a beautiful film on half a shoestring and great storytelling. She is also the queen of cinematic #BlackGirlMagic. I’ll get to why this is important in a bit.