This is an excerpt from a book I started in 2008. I wanted to take a more academic approach to afrogeek and afrofuturist culture and cultural artifacts. I felt this section was important in the present, in light of our new political reality. The books is done, but I’m not sure how I feel about publishing an academic text in a time when we need information to be as clear as possible. Continue reading “Butler, Dystopia, Propaganda, and a Way Through?”
Like the rest of the nation, I woke up this morning to an unfathomable reality. Despite our best efforts, the country has chosen hate and division. Those dystopian science-fiction novels don’t feel so far off anymore. Still, we at The Nerds of Color must soldier on. I’m doing that by participating in CTRL+ALT, the Smithsonian’s pop-up Culture Lab on imagined futures this weekend in New York City. Though, to be honest, I’m having a difficult time imagining the present, much the less the future.
By now the events of Peter David’s NYCC anti-Romani rant is all wrapped up, with David writing a series of personal blog posts including an apology to the Romani community. Whether the Romani community — and the Romani activist involved in the incident, along with fans who were both at the panel and have seen the video — forgive David is a separate issue. Rather than focus on the merits of an apology, the opportunity presents itself to instead focus on the actual issue of lack of Romani representation in our media.
To first understand why the lack of Romani representation is an important issue, we have to understand who the Romani people are. For many — including myself — because of this overall lack of representation, there comes an overall prevalence of ignorance regarding who the Romani people are, what their struggles are, and what their actual culture is.
The Philippines has 181 languages yet most children’s stories in the Philippines are written in only 2 languages, Tagalog and English. Sari-Sari Storybooks has Kickstarted a project to bring those under-represented Philippine language groups life through children’s stories. We interview Christina Newhard about the project.
October is Black Speculative Fiction Month and like legions of others, I am celebrating it something fierce.
Why does Black Speculative Fiction Month matter?
Black Speculative Fiction Month matters because now more than ever our stories must be told and our voices must be heard. Black Speculative Fiction Month matters because too often at cons and writing events, I’m the only nonwhite guest in attendance.
My sister, Dr. Tara Betts, dropped the Luke Cage syllabus over at Black Nerd Problems. It is a must read. I wanted to add to this wealth of knowledge by offering my own “special features” companion piece to Cage. I will present the following without description as I do not want to taint anyone’s experience. This is only a small amount if what is actually out there. I mentioned other books in my reflections on the series. You can read it here.
Let’s say you’re a Martian. Let’s say you’ve been sent to Earth to study human society and culture. Let’s say you have a universal translator.
Let’s say you landed on Earth, randomly, a week or so ago in Brisbane, Australia, and followed the crowds to the Brisbane Writers Festival (culture! perfect!) just in time to hear Lionel Shriver’s keynote address about how cultural appropriation isn’t a thing and fiction writers get to have all the freedom. How is this going to sound to you?
I will present to you one of the most beautiful sentences in recent memory: Ava DuVernay is directing the film adaptation of Madeline L’Engle’s A Wrinkle in Time. The sentence itself isn’t beautiful, but what it conveys is. We’ve all seen the hype and hoopla around DuVernay being the first black women to helm a $100 million dollar film. While this is an accomplishment worth lauding, DuVernay can make a beautiful film on half a shoestring and great storytelling. She is also the queen of cinematic #BlackGirlMagic. I’ll get to why this is important in a bit.
Not so long ago, my family and I went to The Wizarding World of Harry Potter at Universal Studios, in Southern California. In a word, it was amazing. Despite my being too broad-shouldered (and totally crushed) that I couldn’t fit into the seat for “Harry Potter and the Forbidden Journey” (my wife and daughter said it was the single best ride of their lives), the trip was worth the drive to get there. So was waiting in the horrendous lines. What rendered moot any complaints of inconvenience was the near-constant look of awe and wonder on my daughter’s face.
As parents of color, especially Nerdy Parents of Color, it is so difficult to find books that reflect our children’s racial and cultural backgrounds, as well as other aspects of their social realities. Please read this, as well as Letter #1, to see some of the strategies we’ve taken to address this and other issues affecting our Children of Color. Continue reading “To Black Parents Visiting Earth: Letter #2 (#WeHaveDiverseBooks)”