Queer Tropes Redux

As many of you know, June is the month of LGBTQ Pride and I couldn’t think of a better time to call out a few tropes that inundate comics and media when it comes LGBTQ characters/themes.

Tropes that if I never see again for the rest of my existence, I’d be eternally grateful. While this by no means covers every trope/issue/fail, it definitely hits the major ones.

Take thorough notes, I’m gonna move fast, and this will not be pretty. Class in session and you’re about to get schooled by Prof. Upkins himself!!!

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Q Is For Queer Speculative Fiction

Originally published on The Future Fire

As a writer, storyteller, and a queer person of color, it goes without saying that diversity and inclusion is very important to me.

Anyone who’s known me for five seconds is aware of the fact that I’m a rabid comic book fan. It’s modern day mythology and as a writer and an artist, this medium especially appeals to me for obvious reasons. Watching beautiful muscular men is a pastime that I can live with.

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AfroGeek Scholarship

Hello All,

I just wanted to let you know about my new e-book (paperback version will drop in a week), Parables, Vampires, and Pregnant Men: The Narrative Resistance of Octavia E. Butler. Adapted from my graduate work, this little volume refutes C.M. Kornbluth’s assertion that science fiction is unable to work as social critique.

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Navigating Through Race: The Plight of Storytellers of Color

Originally published at Fangs for the Fantasy

A gent by the name of Malcolm X once said, “The media’s the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that’s power. Because they control the minds of the masses.”

Many people often wonder how I’m able to reconcile being a spec fic author with being a social justice activist. Malcolm X’s quote is that very reason.

Because while the media has the power to control the minds of the masses, it’s also a platform to hold a mirror and expose inconvenient truths such as bigotry to a society who is still plugged into the proverbial Matrix of privilege and institutional oppression.

But in order share the truth, marginalized artists have to make many decisions that can play an impact on our careers, our art and its potential impact on society.

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Writing to a Non-Existing Audience

Originally published at Thagomizer

Recently I was having a conversation with a couple of friends and acquaintances regarding the release of my novel, Hollowstone. As I explained the premise behind the book, they expressed it was a novel they would be very interested in reading.

They then expressed that they don’t read books. As the conversation continued, they explained it was in large part to their horrors in school. Horror stories I was all too familiar with. The others elaborated that they hated being forced to read classic literature which usually translated works written by old dead white men and ergo deemed as the only type of “literature” worth reading.

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