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February 14, 2020

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Keith Chow

Keith is the editor-in-chief of the pop culture blog The Nerds of Color, a co-editor of the comics anthologies Secret Identities and Shattered, and host of the podcasts Hard NOC Life and Southern Fried Asian. His writing has been featured in the New York Times, NBC News, and SYFY Wire. Vanity Fair calls Keith an "incisive interviewer and chummy conversationalist" View all posts by Keith Chow

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A place to discuss, comment on and geek out about stuff in the world of fandom (i.e., comics, movies, gaming, animation, toys, etc.) through the culturally critical eye of a POC. Follow us @TheNerdsofColor

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Mārama flew under the radar, but it's an important film that deserves attention!

Our recap of the #WarnerBros slate preview at @cinemacon! Late, becos life, but anyhoo we discuss #Dune3, #Supergirl, #PracticalMagic2, and more from the sportsbook at Caesars Palace.

‘Swapped’ Uses a Familiar Story to Deliver Timely Lessons on Empathy

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What happens when the fight training for ‘Mortal Kombat II’ doesn’t quite leave you? @karlurban @tatigabrielle @adelinerudo and Simon McQuoid answer these questions and more during the @biggoldbelt Blerd Roundtable for Mortal Kombat II!

Universal Pictures Brings Legends to CinemaCon

Despite this new revival of Flower Drum Song having a second revision from David Henry Hwang, no amount of rewrites can shake its core that this Rodgers and Hammerstein musical, now playing at @eastwestplayers, is still very much outdated as an orientalist and voyeuristic crowd pleaser for old white people with subpar musical numbers.

Universal Fan Fest Nights Strikes Gold for its Second Year

The Middle Geeks review 'Lee Cronin's The Mummy' with our wonderful friend, Egyptian-American actor Ali Nasser.

Talking 'Spaceballs,' 'Rocky,' and He-Man on the Amazon MGM CinemaCon Red Carpet

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Disney’s ‘Songs in Sign Language’ Reimagines Familiar Songs Through a Deaf Lens

It's been a few days but after watching the world premiere of Olivia Dufault's For Want of a Horse at @echotheatercompany, we are still at a loss of what exactly the point of the play is. It's well acted and well directed with perhaps a deep meaning to it but ultimately, it's a play about a man who has sex with a horse. Are we supposed to be more empathetic of folks who commit such acts? Do we condemn it? Is this even a discussion worth having?

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