We try not to stray from the geek-o-sphere too much here at the NOC, but it’s kind of hard to deny that the one pop cultural topic that’s taking up all of the oxygen is the announcement of the 2015 Academy Award nominations, and the near 100% shut out of people of color in all the major categories1. The most egregious of these snubs was the almost complete dismissal of Selma. The Martin Luther King biopic was pretty much a lock for multiple noms for most of awards season but only managed a Best Song and a (token) Best Picture out of the deal. Star David Oyelowo and director Ava DuVernay were left on the outside looking in.
And if you need a direct connection back to the nerd world, Oyelowo provides the voice for the Star Wars: Rebels baddie Agent Kallus and Topless Robot wants DuVernay to direct a Marvel movie (something the director isn’t opposed to, by the way). So there.
Continue reading “Oscars 2015: All White Everything”
I wrote about Birdman a couple weeks ago. It’s still my favorite movie of the Fall, and I hope it gets showered with accolades come Awards Season.
Anyway, over on Fox Searchlight’s official YouTube channel, they’ve posted this retro trailer for the fictitious 1992 epic Birdman Returns, and it is awesome. Check it out for yourself after the jump.
Continue reading “Check Out the Trailer for Birdman Returns“
The superhero genre — as we know it — was first birthed over seven decades ago in the pulpy pages of the 10-cent comic books. Mint copies of which that are now worth thousands, if not millions, of dollars. Not only are the books themselves more valuable, many of those original heroes are even more popular today than they were at their inception. Even the heroes who weren’t popular then have been resurrected to much critical acclaim today. We call this period of superhero storytelling “the Golden Age” of comics, but we are currently living in a new golden age of superhero storytelling, except the heroes have migrated from the four-color page to the fourteen-screen multiplex.
The fact that we can count on a new comic book superhero movie (or three) every year until infinity and beyond is both a blessing and a curse for the nerd contingent. For every billion-dollar grossing blockbuster that stars men in tights saving the universe — and it is almost always men — there are critics from both within and without nerdom that bemoan the genre’s grasp on pop culture and predict its demise every year. “Superhero fatigue,” it’s called. Birdman or (The Unexpected Virtue of Ignorance) is the latest film from writer/director Alejandro González Iñárritu — best known for heavier, more melodramatic fare like Babel and 21 Grams — and it takes on the superhero genre, and the fatigue that may or may not come along with it, like no other film before it.
Continue reading “Birdman: What We Talk About When We Talk About Superheroes”
As we continue Bat Week here at the NOC, Keith (@the_real_chow) brings on William (@williambwest), Raymond, and special guest Marc Bernardin (@marcbernardin) — senior editor at The Hollywood Reporter who is also a comic book and television writer, as well as a frequent guest on Kevin Smith’s Fatman on Batman podcast. Together the four of them reflect on the legacy of Tim Burton’s Batman on Hard N.O.C. Life.
Continue reading “Shadow of the ’89 Batman with Marc Bernardin”