How to Not Screw Up a Wonder Woman Film

Okay folks. No more lists. I (semi-) promise. I’m writing this post because I’m getting rather sick of the “no women or people of color as leads in superhero films” stance Hollywood has taken. The scuttlebutt is that these films are not viable and won’t make money overseas. Of course they aren’t viable — if you make crap films. See Halle Berry’s Catwoman for what not to do. They had to have known it was going to be crap, so why did they make it? Was the option running out?

Wonder Woman is especially near and dear to me as she is the first superhero my daughter really got into (then came Storm, and on to her current favorite, Vixen) and ignited her love for all things super-heroic. I was a fan of the 1970s Lynda Carter television show, but it does not hold up — not in any way. A contemporary version is needed. A contemporary film is needed. Diana is too big for the small screen. All of the young girls who love this stuff, but are routinely left out in the cinema, will thank you when this film is done correctly. Hell, even Kevin Tsujihara — the CEO of Warner Bros. (y’know, the company that owns the property) knows what time it is. 

Well, let’s get to it.

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