How to Reboot Lex and Joker in the DCEU

It goes without saying that I haven’t been the biggest fan of Warner Brothers’ approach to the films based on their roster of DC Comics superheroes (also known as the DC Extended Universe). Even before Batman v Superman or Suicide Squad debuted to less-than-enthusiastic reviews, I went on record being against the DCEU’s tone and aesthetic. After BvS failed to become the pop cultural behemoth it was supposed to be, the folks at DC Films attempted a much publicized “course correction” to take their movie universe in a different direction — and if the Comic-Con trailers for Wonder Woman and Justice League are any indication, consider me all in for this new “course.” But as much as I’m looking forward to this new phase of the DCEU, I will never be satisfied until they recast the two characters I feel they’ve bungled the most: Lex Luthor and the Joker.

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Admit it: Diversity Saved ‘Suicide Squad’

Suicide Squad director and writer David Ayer has written a screenplay that is flat and not very exciting. The editing is all over the place and most of the characters are boring. This may not be all Ayer’s fault. According to the Hollywood Reporter, Warner Brothers gave him only six weeks to write whatever he could and went straight to shooting. Why did the studio let this happen?!

I will give Ayer props for making the cast unique in that it’s one of the few (maybe the only) comic book film with such a diverse group of actors in major roles.

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Hard NOC Live from SDCC 2016: Jai Nitz

Just in time for the world premiere of Suicide Squad this weekend, we are joined by comic book writer Jai Nitz, proud Kansan and creator of DC’s El Diablo, for our series of video interviews from the floor of San Diego Comic-Con 2016!

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N.O.C. One-Shot: Batman v Superman and What’s Wrong with DC Movies

Stay tuned for a longer conversation between Keith, Raymond, and Jordan Calhoun, from Black Nerd Problems, about all things Daredevil. In the meantime, the trio took a moment to discuss the Batman v Superman trailer and what it portends for DC’s Cinematic Universe.

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