There’s something oracular about Ray Fawkes’ One Line — the whole One Soul series, frankly — but this book particularly stretches the boundaries of sequential art and meta-comics, and reading it gives me the sense that as I turn the pages, the book is also reading me. You don’t need to have read One Soul or The People Inside to enjoy One Line, though it helps in appreciating the journey of the series’ experimental, multilinear form.Continue reading “Ray Fawkes’ ‘One Line’ is a Visual Symphony”
It may be September, but we’re not done sharing videos from Comic-Con! Our final one-on-one conversation from San Diego is with none other than two-time Eisner Award winning artist Cliff Chiang!
Nearly ten years after collaborating on Secret Identities together, Keith finally meets artist Dustin Nguyen on the floor of San Diego Comic-Con 2016 for a special mini edition of Hard NOC Life!
Originally posted at BadAzz MoFo
I’m starting to feel like I’m going crazy — as if there is something seriously wrong with me — when the sad truth of the matter is that it is not me at all. It is you. And by “you” I don’t necessarily mean you, the person reading this, but I do mean someone other than myself — the crazy person running around pointing out the truth that You (though not necessarily you) don’t want to face. And the truth that I’m talking about is the simple fact that for all the complaining about the lack of diversity in comics — specifically as it relates to black creators — You don’t really want diversity. Instead, You want to sit around, writing blog posts and articles and leaving comments here and there about how few black creators are working in comics, and how You are so righteously indignant to the plight of struggling black creators who aren’t being given a chance to work for major corporations like Marvel (owned by Disney) and DC (owned by Warner Brothers).
The other day, one of our favorite websites, Bleeding Cool, posted a column by Devon Sanders bemoaning the lack of black writers in comics — or more precisely at the Big Two (i.e., DC and Marvel) as well as the mid-major publishers like Dark Horse and Boom. Since its publication, the article has been making its way around the comics blogosphere and message boards sparking some much-needed conversation about the lack of diversity in comics.
The question posed is focused primarily on the lack of black comics writers, and not artists such as Shawn Martinbrough, Jamal Igle, Kyle Baker, or Rob Guillory whose mainstream comics work have all developed quite a following. In the article, Sanders says:
This is the writer’s name, the one you see above everyone else’s and when you count black writers actively working for Marvel, DC, Image, Dark Horse, etc. it comes down to less than the number of digits on Nightcrawler’s hand.
Now while the thesis of the article is the lack of black writers at the big publishers, the column’s title posited the question “Where are the New Black Comics Writers?” The answer to that particular question would be to look beyond the Big Two. Just ask our own Brandon Easton who recently received an Eisner nom for his work on the spectacular Watson and Holmes.