Ever since Gravity, it’s felt like there’s been a haunting prestige movie about realistic space exploration every single year. Not long after was Interstellar. Then The Martian, Hidden Figures, First Man, Ad Astra, Stowaway, etc. For subject matter meant to be about the unknown and unexplored, this subgenre seems incredibly and abundantly well tread. And that’s quite apparent in I.S.S, the latest in a long line of astronaut-movie allegories to grace the big screen in the past decade.

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