Byron Yee, a first-time filmmaker, grew up in Oklahoma, moved to San Francisco to pursue stand up comedy, and later headed to Los Angeles to pursue an acting career. Getting tired of waiting for Hollywood to create interesting roles for someone like him, Yee decided to write his own film. His new release, The Aliens, is a film about a UFO believer who must choose between the aliens above he has never seen or the mysterious guide who appears at his campsite week after week.
The new horror film Dying to Kill, starring stand-up comedian Dwayne Perkins, will make its debut this Tuesday, December 13 on Hulu. On this week’s Hard NOC Life, Dwayne — who also co-wrote the film — is joined by his co-star Lynn Chen, as well as the film’s writer/producer Koji Steven Sakai, and writer/director Raymond C. Lai to talk about the process that went into making the film.
The filmmakers behind the upcoming independent movie Snakehead — director Evan Jackson Leong (Linsanity) and producer/actor Brian Yang (Hawaii Five-0) — join the show to talk about media representation, building community through crowdfunding, and the evolution of independent Asian American film.
Back in September, we tried to get you all hyped for the 21st annual Small Press Expo in Bethesda, MD. One of the main reasons for that excitement was the (controversially named) “Black Art Matters” panel moderated by legendary cartoonist Keith Knight and featuring artists C. Spike Trotman, Whit Taylor, Ron Wimberly, and Darryl Ayo.
If you missed out on SPX this year, you can still see the panel in its entirety after the jump since the show organizers have just posted it online.
In less than 24 hours, the world’s best cartoonists and indie comics makers bring their talents to the DMV (that would be the DC-Maryland-Virginia area of the country, and not, alas, where you get your drivers’ license renewed) at the 21st annual Small Press Expo in Bethesda, MD.
In addition to hosting esteemed guests like Noelle Stevenson, Scott McCloud, and C. Spike Trotman (among many others), SPX is also home to the Ignatz Awards and a venue for fans of the medium to support some of the hardest working artists in all of comics. After the cut, we’re going to highlight a few of the things we’re most excited to see this weekend.
[I wanted to write this reflection the weekend of its release. I decided that I needed a little more time because the film hit home in too many ways and I needed some space from it to get a better handle on how I wanted to approach it. This will not be a typical review, nor will it be an endorsement — despite my endorsing the film whole-heartedly. I have no idea what this is, but I needed to get it out.]
Hip-hop is fandom. While it may not be explicitly geek/nerd culture, it is fandom of the highest order. If anyone chooses to refute this, they aren’t being intellectually or culturally honest. Never has this connection been so blatantly displayed than in Rick Famuyiwa’s 2015 gem of a film, Dope. [I have a lot more to say about this. Watch this space in the next month or two]
As a person who writes and likes to people-watch, bars fascinate me. People from all sorts of different backgrounds gather in one area to have a drink or five. As a fellow customer, I would only overhear bits and pieces of other people’s lives and it all sounded really interesting. I always wondered what it would be like to be a bartender, the gateway to our alcoholic pleasure. It’s common knowledge that bartenders have the most interesting stories since they get to see and hear about everyone’s lives (whether you wanted to or not). I always wanted to see how that would be like.
VA-11 HALL-A gives me that opportunity.