‘Mulan’ is Still the Wokest Disney Princess Movie Your Kid Hasn’t Seen 600 Times Yet

Originally posted on Melancholyball.

The “Disney Princess” mythos is a genre as restrictive as it is globally-superpowered, but in terms of the Official Princess Movie with the most patriarchy-subverting politics, I think it’s no contest: Mulan is by far the most progressive-minded cel-animated Disney Princess film, while also performing its essential sedative-hypnotic function on your child’s developing emotional vocabulary. (Pocahontas has an argument too, but for my taste, the underlying colonization-conquest story is so far outside of Classic Disney’s natural lane, you kinda wonder what they’re even trying to say, and also the songs in Pocahontas are not my jam.)

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Making Mulan Right, and the Limits of On-Screen Representation

by Oanh-Nhi Nguyen and Mark Tseng Putterman

When a leaked script revealed that Disney planned to center its live-action Legend of Mulan film around a white merchant who comes to “white knight” the hero of China, the outrage was swift and fierce. After thousands signed 18MillionRising’s petition, Disney quickly responded to assure fans that all major characters would be cast as Chinese. “Don’t worry,” one patronizing headline went so far as to say, everything’s going to be fine. And by and large, the once-raging fire of #MakeMulanRight has cooled to a few glowing embers. Asian America seems to be satisfied to know that Disney won’t turn Mulan into yet another white savior film.

It’s a win, but not exactly the sort of victory you can feel great about. We’ve been through this too many times, haven’t we?

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