Black Masculinity as Performed in Japanese Visual Media

by Kendall Bazemore

Japan has long produced visual media that has captivated readers and viewers for decades. Manga and anime are two classic mediums through which fantastical worlds and profound characters come to life. Of all the hundreds of thousands of characters that exist in these worlds, there are a handful that share a close resemblance to African Americans. Though these characters are not always explicitly identified as black, they are heavily coded as black or Afro-descended. The aesthetic of black coded characters in anime and manga reflect the same ideologies of black males in U.S media and society. Popular series like Naruto and Samurai Champloo both use tropes of black males and demonstrate common ideas about their masculinity and how they are read by others. Hip hop is the vehicle through which Japan understands American blackness which manifests itself in various ways in Japanese media.

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Rewriting the Future: Using Science Fiction to Re-envision Justice

Originally posted at Bitch Media1

When I tell people I am a prison abolitionist and that I believe in ending all prisons, they often look at me like I rode in on a unicorn sliding down a rainbow. Even people engaged in social movements, people who concede that the current prison system is flawed, voice their critiques but always seem to add, “But it’s all we have.”

For all of our ability to analyze and critique, the left has become rooted in what is. We often forget to envision what could be. We forget to mine the past for solutions that show us how we can exist in other forms in the future.

That is why I believe our justice movements desperately need science fiction. Stay with me on this one. I am the co-editor, along with visionary movement strategist adrienne maree brown, of the anthology Octavia’s Brood: Science Fiction Stories from Social Justice Movements, which comes out this spring from AK Press. Octavia’s Brood, named in honor of Black feminist sci-fi writer and MacArthur “Genius” grant winner Octavia Butler, is a collection of radical science fiction written by organizers, change makers, and visionaries.

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Days of Future Ferguson

Originally posted on Silva Culture

I finally saw X-Men: Days of Future Past at our local close-to-DVD-release cheap theater that we South Minneapolitans all love, The Riverview. I loved it. I knew a few of the main comics discrepancies beforehand, but they didn’t bother me. It was gripping, the effects were sick, and I for me personally, I’m not sure there’s a limit to great acting performances once Jennifer Lawrence and Michael Fassbender hit the screen in damn near everything they do. All of that said, once I was waiting for the credits and the usual Marvel post-flick teaser, I started thinking about something else: Ferguson, MO.

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Genius: The Tipping Point

by Marc Bernardin

[Ed. note: This essay first appeared as a series of tweets on Marc’s twitter account and is being re-presented with his permission.]

The six years between the  Pilot Season issue release and the miniseries dropping [last week] felt like an eternity. But now, it feels like the world was making us wait for just the right time. When the hunger for female leads would reach a tipping point. When the hunger for diversity on and behind the comics pages would reach a tipping point. And, sadly, when the devaluation of black youth would reach a tipping point.

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