Mulan is the latest in a growing line of Disney live-action remakes. Based on the 1998 animated feature film of the same name, as well as The Ballad of Mulan, a young woman (Yifei Liu) disguises herself as a man to take her ailing father’s place in the Imperial Army, to protect the country from Northern invaders. Along the way, she comes to terms with realizing her full potential and to not hold back on who she is.
Originally posted on Melancholyball.
The “Disney Princess” mythos is a genre as restrictive as it is globally-superpowered, but in terms of the Official Princess Movie with the most patriarchy-subverting politics, I think it’s no contest: Mulan is by far the most progressive-minded cel-animated Disney Princess film, while also performing its essential sedative-hypnotic function on your child’s developing emotional vocabulary. (Pocahontas has an argument too, but for my taste, the underlying colonization-conquest story is so far outside of Classic Disney’s natural lane, you kinda wonder what they’re even trying to say, and also the songs in Pocahontas are not my jam.)