We have entered a brave new world of advertising, where the marketing material needs its own marketing. Late yesterday, Batman v Superman: Dawn of Justice director Zack Snyder tweeted this:
Over the weekend, The Amazing Spider-Man 2′s $92 million opening — despite a middling reception from critics and comics fans, alike — has all but guaranteed that the powers-that-be at Sony Pictures have got the green light to launch their own foray into superhero mega-franchise-dom and build their Spidey-verse over the course of several movies. What isn’t certain, though, is how many of those coming movies will continue to star Andrew Garfield. Of Sony’s slate of yet-to-come Spidey themed flicks — Sinister Six, Amazing 3, and Venom — Garfield is only contracted to appear in the threequel, and that’s it. So what is Sony Pictures going to do without their lead?
In a recent interview with Comic Book Resources, Garfield himself had some ideas:
One thing Japan gets screwed out of are movie release dates. Half the time we won’t get a movie until a good four to six months from the original date from the States. There are a few exceptions though, with The Amazing Spider-Man series being one of them. Having watched it about a week ago, I’ve had some time to reflect on the sequel to the 2012 superhero reboot.
Entertaining? Yes. Amazing? Not quite.
Needless to say, minor spoilers will follow.
Over the weekend, Jamie Foxx spilled some pretty spoilery secrets about The Amazing Spider-Man 2 and a potential Sinister Six spin-off movie. Foxx plays the supervillain Electro in the upcoming superhero sequel, and it got me thinking about the comic book movie legacy of In Living Color, one of my favorite shows growing up.
The year was 1990. I was a shy, nerdy 10-year-old living in Newport News, Virginia. Like my origin post said, I was practically raised by television because my mother was constantly working. When I wasn’t watching horror shows like Tales from the Crypt, you could find me watching anything that would make me laugh. My favorites were sitcoms like The Fresh Prince of Bel Air and Family Matters. Since there were no Asians to look for on television, I turned to these shows to find any kind of cultural connection — and to laugh uncontrollably. And no other show made me laugh harder than In Living Color.