Celia Rose Gooding is a woman of her time just like the iconic character she plays on Star Trek: Strange New Worlds – Cadet Nyota Uhura.Continue reading “Celia Rose Gooding on Staying True to Herself and Uhura in ‘Star Trek: Strange New Worlds’”
Black people were marching all over the South. Dr. King was leading people to freedom, and here I was, in the 23rd century, fourth in command of the Enterprise.
Star Trek first aired during the height of the Civil Rights Movement, between the time when Congress passed the Voting Rights Act of 1965 and the Supreme Court declared prohibiting interracial marriage unconstitutional in Loving v. Virginia.
Nichelle Nichols, the actress who played Lieutenant Uhura, television’s first major Black female character who wasn’t a maid, did not at first feel the full weight of her role’s significance until after the first season was finished and she handed her resignation to Gene Roddenberry, the show’s creator.
In a 2011 conversation with astrophysicist Neil deGrasse Tyson, Nichols told the incredible story of how one particular fanboy convinced her to stay after all. She gave notice on a Friday, and attended an NAACP fundraiser in Beverly Hills the next day. At the event, someone approached her, saying he had a fan waiting to speak to her.
Star Trek appeals — across generation, across gender, across language, across nationality — because from the very first episode it offered a bold, optimistic vision of the future; a vision so distinct from our own contemporary 21st century world as to seem at first glance to be more fantasy than science fiction.
Forty-seven years later, Star Trek endures for many fans precisely because of this fantastic quality. Five centuries into the future, humanity has forged a “more perfect union” with hundreds of alien races to build (and maintain) a peace that spans most of explored space and across one-fourth of the galaxy. In fact, the constant theme of Star Trek across all five series and twelve movies is one of unity: above all else, Star Trek is the story of community united across race, gender, class and even species to build a brighter tomorrow. Most of our favourite Trek adventures detail the struggle to overcome the obstacles that impede unity — whether barriers of language or distance or culture or war or time — through technological innovation, political wrangling, or personal ingenuity.
The prize for this unity is clear through Roddenberry’s vision: the United Federation of Planets offers its members an end to poverty, disease, and even war.
But, rarely does Trek interrogate the cost of that unity.