With the premiere of the new Netflix original movie Rim of the World debuting this Memorial Day weekend, the film’s screenwriter Zack Stentz joins Hard NOC Life to talk about its origins and the current state of pop culture fandom.
Many of us nerds were bullied as kids, and subsequently we dreamed not of a world without violence, but some sort of payback. Slicing up our tormentors with lightsabers or adamantium claws. Slow motion punching the jock bully in the jaw, hopefully while beautiful women were watching. As we grew older, some of us questioned this desire for retribution, our conditioned response (particularly in straight males) to strike back. But what do we do with these contradictory feelings, our questioning of violence as power against our catharsis when we see the bad guy get his comeuppance?
The Japanese cult classic film Battle Royale looms large in the minds of pop culture nerds ambivalent over our negative reaction to violence and our desire to see stylized versions of it. Battle Royale is almost meta in its questioning of this contradiction: a future Japan is made safe by telecasting, once a year, a brutal contest wherein a random class of young people is set in a trapped zone with weapons, and only one person is allowed to leave alive.
“The X-Men are hated, feared and despised collectively by humanity for no other reason than that they are mutants. So what we have here, intended or not, is a book that is about racism, bigotry and prejudice.” —Uncanny X-Men writer Chris Claremont, 1981
