I do have a sincere (and most likely minority) belief that Shakespeare plays need to be retired as more often than not, it just does not need to be done. It is however an often safe and boring choice for many PWI theatres and a guarantee to hire mostly white actors dishing out their favorite monologues to varying amounts of success.
Continue reading “A Los Angeles Theatre Review: ‘Macbeth’”
It was November 19, and LA’s West Side was wrapped in a breeze uncharacteristic of a California night, but was a welcome interruption to the heatwaves the state is known for. The historic Odyssey Theater Ensemble, home of some of the city’s most multi-cultural plays and productions, housed the Sippin’ Poetry Slam Food Drive, hosted by the multi-hyphenated talent, poet, actor, and artist combo, Ahkei “KeiRock” Togun.
Continue reading “Poetry, Community, and Deliverance: How KeiRock is Impacting Spoken Word”