NOC Recaps Daredevil: So Much for a Complete Daily Bugle Staff

“The Ones We Leave Behind” is another dense episode that fortunately doesn’t feel like it drags. Two of the leads deal differently with killing, there’s some backstabbing in the consortium, some classic Daredevil roof hopping, and another climactic and shocking ending. Damn. Fucking Sony.

It opens with Karen tossing the gun in the river. She’s obviously messed up after murdering Wesley and this plays out once she gets home and hits the bottle hard to put herself to sleep. She wakes up startled thinking she hears something, but then relaxes and decides to switch to beer for bed. Does that ever work? She turns from the fridge and our bald menace is staring her down. He delivers another stellar speech telling her he knows how hard it is to take a life. He goes on about how you feel the weight of the person’s life, the cherished moments, and such. Then he says: “I want you to know something, something important that I’ve learned: that it gets easier the more you do it.” And he attacks. And Karen wakes up. Really wakes up this time. The old nightmare within the nightmare. Well played writers.

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NOC Recaps Daredevil: The Trial of the Incredible Matthew Murdock

Yes, the boys are fighting and Foggy Bear attacks like a… bear. It’s Foggy’s turn to learn about Matt’s powers and the first part of “Nelson v. Murdock” basically repeats previous scenes and flashbacks of folks that know about Matt. Nothing new that we don’t already know until the way Foggy plays it at the end. Besides Foggy’s cross examination of Matt, we get flashbacks to their meeting and law school daze days, Madame Gao puts Fisk in another time out, Karen tricks Ben in a game changing way, and a benefit dinner really could have used a Medieval cup-bearer.

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NOC Recaps Daredevil: Papa Don’t Preach

At this point, the similarities between Matt Murdock and Wilson Fisk both wanting to make their city a better place have been repeated a few times. Yep, they’re two sides of the same coin; we get it. Well, there’s another strong tie that binds; they both have serious daddy issues. Matt’s came earlier and now we get to see a big reason why Fisk is who he is. I mentioned there may have been a hint at potential childhood trauma on the fourth episode recap, and my, my; “hint” seems so wrong after this. In addition, Matt ends up in Karen and Foggy’s (and Ben’s) investigation, and Fisk’s grip on his empire starts loosening, creating tension among the consortium in “Shadows in the Glass.”

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NOC Recaps Daredevil: The Child and the Monster

About three weeks before we got “the Netflix drop,” Vincent D’Onofrio was responding to Daredevil and Wilson Fisk questions on Twitter. One of the early questions that he responded to was probably the best:

This is our introduction to Fisk and I couldn’t take my eyes off him. He owns this one. Golden Broken Arms, legs, all limbs to D’Onofrio. In addition, the Russians get some more attention, Matt and Claire continue being awesome, and Ben and Karen team up.

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NOC Recaps Daredevil: aka Law & Order Hell’s Kitchen

I brought this up in my recap for “Into the Ring,” but “Rabbit in a Snowstorm” is where we really get the Law & Order: Hell’s Kitchen portion of the show. We can break this one down into three parts too: bowling alley/back alley; Karen, Ben, and the devious corporation formerly known as Prince Union Allied; and the murder trial. There’s an up, then down, then back up wave feel in terms of rhythm in this one.

This being an outstanding ensemble drama, the writing and acting sparks get passed around nicely. I’m going to start giving out (drum roll…) “The Golden Broken Arm for Best Performance per Episode.” Appropriate, right? The best performance from “Into the Ring” goes to Charlie Cox, and “Cut Man” is all Rosario Dawson. This episode, though, is actually tougher, but I’m going to go out on a limb. (Ha, “limb” — more on that later).

Let’s begin though, with Sason Jathom. Who?

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Daredevil is the Hero We Need and Deserve

Eric is doing weekly recaps of each episode of Daredevil, but this column will be a review of the series as a whole. I will try and keep this as spoiler free as I can. I really will try.  I promise.

For a good long run, DC was the king of bringing their properties to the large and small screens. From 1943 with the Batman serials, to Superman I and II  in 1978 and 1980, to the glory that was Batman: The Animated Series (1992-1995), DC had the televisual and cinema game on lock. Marvel did their thing, but nothing Marvel did could hold a candle to Justice League Unlimited. Not a Hulk, Thor, Daredevil special. Not any animated iteration of The X-Men or the Avengers. Not anything, animated or not. Then in 1998, Blade happened.

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