If anything can be said about Abrams ComicArts books, it’s that they are undeniably beautiful. Aside from what lies within their pages, the books themselves are works of art. They are portable museums. The colors, the weight and heft of the paper used, the end paper designs, the cover images chosen, these make the books worth looking at. The stories being told? These make the books worth buying. Their Megascope imprint? These books are worth collecting.Continue reading “‘The Eightfold Path’ (An Endorsement)”
On this week’s episode of Southern Fried Asian, Keith talks to spoken word and hip-hop artist G Yamazawa, whose debut album, Shouts to Durham, and breakthrough single/video “North Cack” have taken the internet by storm.
Earlier I wrote about the endless narrative possibilities available in the superhero comics genre. Of course, comics are not the only medium to enjoy the fractal narrative. Philip Marlowe, the Continental Op, and Sherlock Holmes are ageless detectives forever solving crimes in short stories and novels. If Jet Li had so desired it, Tsui Hark would probably have made fifty more Wong Fei-Hong movies. And the Brits have the idea down with James Bond and Doctor Who.
But while the fractals can expand forever, artists given to make their own new stories and interpretations can sometimes make changes that are so drastic that they change the nature of the character the audience has come to know. Artists should of course be able to bend and experiment with characters to find new avenues, but there must be limits, no? Because the danger in the course of bending a character is the potential of breaking it.