Talking ‘Godzilla’ Fandom with Star O’Shea Jackson Jr.

Godzilla: King of the Monsters is stomping back to theaters this week! And to celebrate, The Nerds of Color will be continuing our series of interviews with the cast and crew to countdown to the opening of the biggest monster hit … Continue reading Talking ‘Godzilla’ Fandom with Star O’Shea Jackson Jr.

Making a Modern Day Monsterpiece with ‘Godzilla’ Director Michael Dougherty

Godzilla: King of the Monsters is stomping back to theaters this week! And to celebrate, The Nerds of Color will be publishing our series of interviews with the cast and crew to countdown to the opening of the biggest monster hit of the summer! As part of the series we had a chance to chat with the man with the vision — director/co-writer Michael Dougherty!

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The King of Bling Meets the ‘King of the Monsters’

8,500 stones, including black diamonds. Seven inches tall. Five inches wide. That’s what it takes to bring a monster to life. And the only one that can accomplish such a task? Why celebrity jeweler Johnny Dang, of course.

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Long Live the Cast of ‘Godzilla: King of the Monsters’

When the world needs the King of the Monsters, the King of the Monsters needs his entourage!

This week, the cast of Godzilla: King of the Monsters came out in full force to discuss the next epic installment of Warner Bros. and Legendary’s Monster-Verse franchise with members of the press, and The Nerds of Color were there to bear witness! Present at the event were stars Millie Bobby Brown, O’Shea Jackson, Thomas Middleditch, Kyle Chandler, Bradley Whitford, Ken Watanabe, and director and co-writer Michael Dougherty. The ensemble got together, to discuss monsters, fandom, and the fun and challenges of putting together the $200 million action-monster spectacle.

“So… About last night…” Brown jokingly began to laughs within the crowd.

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Win Tickets to the Red-Carpet World Premiere of ‘Godzilla: King of the Monsters’

Ladies and Gentlemen — The King has Returned!

Not talking about Simba. I’m talking about the KING OF THE MONSTERS!

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Final ‘Godzilla: King of the Monsters’ Trailer Boasts “One King To Rule Them All!”

Aw snap! It’s going down everyone! On May 31, Godzilla returns, and he’s taking on a whole lot of kaiju!

Warner Bros. just released the final trailer for the Michael Doherty (Trick r’ Treat) helmed sequel to 2014’s Godzilla, and man, by the looks of it, it’s going to be a hell of a monstrous summer!

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New Poster for ‘Godzilla: King of the Monsters’ Stomps Online

I think we can all agree that blue beams in the sky are a bit played out nowadays for sci-fi and action genre films.

BUT — When that blue beam in the sky is FREAKING ATOMIC BREATH, I’m going to get hyped! And you should too!

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‘Godzilla: King of the Monsters’ Wishes You a Happy Lunar New Year!

Local Tokyo hero and frequent Asian-city destroyer, Godzilla and his various foes, who also destroy many Asian-cities, would like to wish all of their victims a Happy Lunar New Year!

In all seriousness, the legacy of Godzilla as an important cultural icon to Asians and Asian Americans everywhere is timeless. And in celebration of that legacy, Warner Bros. has released these four striking new Lunar New Year posters.

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The ‘King of the Monsters’ Has Returned!

Oh snap! Next May, it’s going down, as Godzilla returns to the big screen in Godzilla: King of the Monsters, the long-awaited follow up to the 2014 monster-sized hit!

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Ballad of an AfroGeek

The above image is from the cover of my upcoming book: Diary of an AfroGeek.

Being an AfroGeek is all about being comfortable, and expecting, to hold immense contradictions. It is loving Firefly, Serenity, and Buffy the Vampire Slayer, but having a strong feeling that Joss Whedon doesn’t love you back. It is about getting into passionate discussions about why and how Storm’s original mohawk incarnation was one of the more powerful political statements in comics, but being appalled at how uninteresting she became when she married Black Panther.

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Godzilla, the World’s Most Famous Japanese American

by Gil Asakawa | Originally posted at Nikkei View

Although Hollywood has been making monster movies since the original 1933 King Kong, the monster with the most staying power and screen incarnations didn’t come out of California, but from Tokyo. Godzilla is back with another cinematic reboot produced by Hollywood featuring the usual array of mega-special effects, including a digitized monster instead of a man in a monster suit. Whether costumed or computer-generated, Godzilla is the most famous Japanese American in the world. He’s starred in 28 movies, stomping his way through cities on both sides of the Pacific.

Godzilla, or the Japanese pronunciation, Gojira (a combination of the words for “gorilla,” gorira and “whale,” kujira) made its first Japanese appearance 60 years ago, in 1954. The film was edited and had scenes starring Raymond Burr as an American journalist inserted for its 1956 release in the U.S. as Godzilla, King of the Monsters. I always thought this was to make the movie more palatable to American audiences, but now I realize there was a more political reason for the reworking of the first film.

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Godzilla: King of Nitpicks

by Oliver Wang

A quick introduction: I enjoyed Godzilla. A lot. I wanted spectacle; it delivered. In the end, whatever MUTO-sized plot holes or character shortcomings weren’t that big of a deal in terms of my enjoyment. But I found so much of the film completely inexplicable on some very basic logic levels that I wanted to have fun with those. So I invited friends to join in with their “huh?” moments from a film that we all agreed was quite fun. If it helps, imagine hearing this being read by the Red Letter Media guys.

(These are in loose chronological order based on events in the film. Also, spoilers).

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