Possessed white girl mummy from Lee Cronin's The Mummy

The Middle Geeks Episode 79: ‘Lee Cronin’s The Mummy’ Review with Ali Nasser

We review Lee Cronin’s latest film set in Egypt with our dear friend, actor Ali Nasser.

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Lee Cronin’s ‘The Mummy’ is a Viscerally Unsettling Reinvention of a Horror Icon

The Mummy remains one of the most iconic figures of the classic movie monster era. For nearly 95 years, the character has been reimagined through horror, romance, and action-adventure, evolving with each generation without ever fully losing its mythic power. Lee Cronin’s The Mummy recognizes that any new take must do more than reinvent the monster. It also has to leave room to engage with the story’s cultural roots in a way that feels thoughtful, grounded, and free of the outdated stereotypes that have often shaped past depictions.

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At First Glance, Universal’s ‘Mummy’ Sequel is Orientalist Regression

This past week, Egypt unveiled its new Grand Museum with a resounding announcement of their new magnificent structure spotlighting their country’s antiquities. After decades and decades of the West’s cultural theft of their relics, stories, and monopolizing of scholarship on Egypt, the museum’s opening highlights Egypt’s ownership and sovereignty over their rich history, archaeology, and scholarship, serving as a signal forward past the extreme Orientalist narratives the West thrust on it.

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