The idea of seeing things from the perspective of those who have passed is not a new or innovative concept. From movies like David Lowery’s A Ghost Story to Peter Jackson’s adaptation of The Lovely Bones, we’ve experienced narratives of tragedy told from the POV of the ghosts acting as protagonists in these stories. Therefore, it comes as no surprise that despite its attempts to liven up the trope, a lot of the notes that director Steven Soderbergh and writer David Koepp hit in Presence are ones that are well trodden.