This month, we’re reviewing not one, but TWO series, The Falcon and the Winter Soldier on Disney+, and Nasim Pedrad’s Chad on TBS! What did we think of the overall series and finale of The Falcon and the Winter Soldier? How well did it handle the sociopolitical and geopolitical themes it tried to tackle? How did Chad do a good job at presenting a normal Iranian American family, and what did we make of the cringe humor style? We also discuss some VERY exciting castings of MENA actors for the Black Adam film, give our recommendations, and much more!Continue reading “The Middle Geeks Episode 25: The Falcon, The Winter Soldier, and… Chad”
Being a Middle Eastern kid in an American high school can be an awkward experience. You may struggle to fit in and have an unclear sense of your identity, making friends and relationships as a result. With the new show Chad on TBS, in which she plays the titular 14-year old character, Nasim Pedrad seeks to encompass that experience through reveling in the awkwardness that being an insecure MENA teenager can often entail. And it works for the most part, though the humor sometimes falls flat, especially when it leans too much into the awkwardness.Continue reading “NOC Review: ‘Chad’ is Good, but Revels in Cringe”
Disney’s Aladdin will be the first live-action Disney film that showcases people of color in starring roles. The cast and creatives of the film know this and appreciate the effort. Starring Egyptian-Canadian actor Mena Massoud as the title character, British Indian Naomi Scott as Princess Jasmine, and Will Smith as the Genie, Disney wanted to be sure the characters in the beloved story represented the Aladdin origin story (which also included East and South Asian origins) as well as the animated film.
“I think it is critically important to be able to pull stories and colors and textures and tastes from around the world,” said Smith during the Aladdin press conference. “I think that in this particular time in the world, that kind of inclusion and diversity will be a critical part of turning our connectivity, because we have more connectivity than ever, but transitioning that connectivity into harmony is going to be really critical. And, I think these kinds of interactions in these types of movies are a powerful global service. It was critical and important to me. I spent a lot of time in the Middle East also. So this one particularly was critically important in that way.”