Before Dominic, Jamal, Keith, and Britney break down the finale for Disney+’s The Falcon and The Winter Soldier, the trailer for Shang-Chi, or the #1 movie in America, Mortal Kombat, the crew has to talk about all the WTF moments from Sunday’s Oscars telecast!
Rita Moreno: Just a Girl Who Decided to Go For It comes out in theaters on June 18. The documentary about the acting legend, which has a total runtime of 89 minutes, features George Chakiris, Héctor Elizondo, Gloria Estefan, Tom Fontana, Morgan Freeman, Mitzi Gaynor, Whoopi Goldberg, Norman Lear, Eva Longoria, Justina Machado, Terrence McNally, Lin-Manuel Miranda, and Karen Olivo.Continue reading “Watch the Trailer for Roadside Attractions’ ‘Rita Moreno: Just a Girl Who Decided to Go For It’”
During the Oscars telecast, The Walt Disney Company finally gave fans a glimpse at the new film adaptation of the musical West Side Story, which will open in U.S. theaters on December 10. To add even more to the excitement, they also released a teaser poster.Continue reading “See the First Teaser Trailer for Steven Spielberg’s ‘West Side Story’”
During The Oscars, viewers were treated with a sneak peek of Nine Perfect Strangers. The talented cast includes Nicole Kidman, Melissa McCarthy, Michael Shannon, Luke Evans, Bobby Cannavale, Regina Hall, Samara Weaving, Melvin Gregg, Asher Keddie, Grace Van Patten, Tiffany Boone, and Manny Jacinto.Continue reading “Get a First Look at Hulu’s New Limited Series ‘Nine Perfect Strangers’”
This month on The Middle Geeks, we’re joined by our friend and fellow DCTV fan Andy Behbakht to discuss why we love the character Zari Tomaz/Tarazi on DC’s Legends of Tomorrow so much. This character brings such wonderful representation, for which we’re very grateful. What does Tala Ashe bring to the role in her excellent performance of the character? What do we make of Zari’s story over the seasons and how she is written? How does Zari, through her cultural background, story, and personality, represent us as Middle Eastern people? We also discuss the news that we may be getting an Aladdin (2019) sequel, whether we feel excited about it, give our recommendations, and much more!
This month on The Middle Geeks, we discuss Waad Al-Kateab’s stunning documentary For Sama, which provides visceral insight into the Syrian Civil War and the experiences of citizens under siege. The film has been nominated for numerous accolades, including the Academy Award for Best Documentary Feature. In much lighter topics, we discuss the upcoming return of Zari (Tala Ashe) on Legends of Tomorrow, and the news that Iranian and other people of color will be leads in Middle Earth on Amazon Prime’s Lord of the Rings series!
Bong Joon-Ho’s latest cinema classic, Parasite, has been dominating Awards season — starting last summer when it won the Palme d’Or at the Cannes Film Festival. Now in time for its potential historic showing at the Academy Awards, Parasite is now available to own on blu-ray and DVD via Universal Pictures and NEON. And don’t forget we’re giving away copies of the blu-ray!
In the midst of a historic run through Award Season — including a win for best ensemble cast at the Screen Actors Guild Awards — Parasite finally comes to home video via Universal Pictures and NEON. And we’ve got copies of the blu-ray that we’re giving away!
In this bonus episode of Hard NOC Life, Keith talks to the creator of #OscarsSoWhite, April Reign, on the eve of the Academy Awards as she prepares to attend her first ever Oscars ceremony!
Hard NOC Life this week to break down the news of the 2019 Oscar nominations!
History was made this morning when the Academy of Motion Picture Arts and Sciences unveiled its list of honorees celebrating the films of 2018 and named Black Panther as one of the nominees for Best Picture. While plenty of comic book films have received nominations over the decades, no superhero film had ever been nominated for the most prestigious prize of the night. The Dark Knight came closest in 2009 — winning a posthumous Best Supporting Actor award for Heath Ledger and prompting the Academy to expand its nomination list from five to ten the following year.
Hard NOC Life with Shawn Keith return from a brief hiatus to share what’s Nerd Poppin’ this week.
With historic Oscar nominations for Get Out and record-breaking ticket pre-sales for Black Panther, 2018 is shaping up to be a watershed year for mainstream genre pictures that center Black characters. Acclaimed speculative fiction writers and educators Tananarive Due and Steven Barnes, who currently offer an online course dedicated to Jordan Peele’s box office phenomenon, join Keith for a frank discussion of both films and their place in American popular culture.
When Yulree Chun stepped off Starline’s tour bus on Sunday, she didn’t expect herself to be in the center of attention at Hollywood’s biggest night — The Oscars. She and her husband, Patrick Tio, who recently returned from their honeymoon, were just planning on enjoying a nice day walking around Hollywood before they were asked by Starline “employees” to try out their new tour for free.
Chun and the other unexpecting tourists were told they would be viewing a special Oscars fashion exhibit but found themselves in front of the Dolby Theater among Hollywood’s elite.
While Chun and Tio were mingling with the celebrities such as Meryl Streep and Ryan Gosling, host Jimmy Kimmel called on Chun and asked for her name. Chun told him, “My name’s Yulree. Rhymes with jewelry.” This followed an exchange that would cause a bit of controversy on Twitter. Chun remained cool as she was too starstruck to think anything of it.
We got to chat with Yulree Chun about the event and how she’s now happy that everyone is able to pronounce her name correctly.
This has been an amazing ten months for Black cinematic culture. We had Beyoncé’s Lemonade in April 2016. Donald Glover’s Atlanta and Ava Duvernay’s Queen Sugar both premiered on September 6, 2016. Luke Cage’s entire season broke the Internet on September 30. Barry Jenkins’s Best Picture Oscar winning Moonlight dropped October 2016. So did Issa Rae’s Insecure. And then the wicked mind of Jordan Peele unleashed Get Out, this past weekend. There were other films, television shows, videos and the like, but damn. Look at this trajectory. It would be so easy to label this a Black Cinematic Renaissance, but I don’t think I want to be that optimistic.
On a very cold sub-zero January evening in Minnesota (talking windchill -30 F people) , one of our favorite NOCs was ready for some questions. Director, writer, activist, martial artist, general badass, and real life superhero Lexi Alexander joined me at The NOC for another round of #AskLexi. I wasn’t prepared for the hundreds of fans that overwhelmed us with questions, but the feeling of love radiated out of the computer and warmed my heart in the chilly house. Here are some highlights.
We try not to stray from the geek-o-sphere too much here at the NOC, but it’s kind of hard to deny that the one pop cultural topic that’s taking up all of the oxygen is the announcement of the 2015 Academy Award nominations, and the near 100% shut out of people of color in all the major categories1. The most egregious of these snubs was the almost complete dismissal of Selma. The Martin Luther King biopic was pretty much a lock for multiple noms for most of awards season but only managed a Best Song and a (token) Best Picture out of the deal. Star David Oyelowo and director Ava DuVernay were left on the outside looking in.
And if you need a direct connection back to the nerd world, Oyelowo provides the voice for the Star Wars: Rebels baddie Agent Kallus and Topless Robot wants DuVernay to direct a Marvel movie (something the director isn’t opposed to, by the way). So there.
The superhero genre — as we know it — was first birthed over seven decades ago in the pulpy pages of the 10-cent comic books. Mint copies of which that are now worth thousands, if not millions, of dollars. Not only are the books themselves more valuable, many of those original heroes are even more popular today than they were at their inception. Even the heroes who weren’t popular then have been resurrected to much critical acclaim today. We call this period of superhero storytelling “the Golden Age” of comics, but we are currently living in a new golden age of superhero storytelling, except the heroes have migrated from the four-color page to the fourteen-screen multiplex.
The fact that we can count on a new comic book superhero movie (or three) every year until infinity and beyond is both a blessing and a curse for the nerd contingent. For every billion-dollar grossing blockbuster that stars men in tights saving the universe — and it is almost always men — there are critics from both within and without nerdom that bemoan the genre’s grasp on pop culture and predict its demise every year. “Superhero fatigue,” it’s called. Birdman or (The Unexpected Virtue of Ignorance) is the latest film from writer/director Alejandro González Iñárritu — best known for heavier, more melodramatic fare like Babel and 21 Grams — and it takes on the superhero genre, and the fatigue that may or may not come along with it, like no other film before it.
In Part One of our conversation with Michael Uslan, the Batman movie uber-producer recounted his decades-long journey to bring a “dark and serious” version of the Dark Knight from the comic pages to the movie screen, a journey that is the foundation of his memoir, The Boy Who Loved Batman. After a string of Hollywood studios and financiers initially rejected the idea, the Batman film franchise has gone on to earn billions of dollars in box office and merchandising and solidify Batman as a cinematic legend, with even more big screen adventures on the way.
After the jump, Michael and I continue our discussion of what makes the Batman such an iconic — and enduring — character.
A while back, I shared a couple of lists I curated of DC superheroes and their Academy Awards. It’s a hobby I picked up a bunch of years ago because I’m as much of an Oscars junkie as I am a superhero movie one. I hinted that I would tackle a similar list featuring the actors of the Marvel Cinematic Universe, but instead, I decided to take on the Oscar winners and nominees from that other multi-movie Marvel megafranchise: the X-Men.
Part of the reason is because X-Men: Days of Future Past just shattered a ton of Memorial Day box office numbers on its way to a $111 million opening. Also, with seven movies spanning fourteen years under its belt, the X-Men franchise is just as deep as the Batman and Superman oeuvres, though the mutants have far less noms and wins than DC’s big two.
Some more stray observations after the jump.