My earliest memories of my elementary and middle school Scholastic Book Fairs saw massive collections of R. L. Stine’s Goosebumps, loads of nonsensical ’90s tech, and the burgeoning mystery genre before it really took off in young adult literature. Super hero graphic novels were almost nonexistent for kids and teenagers in school spaces in the late ’90s and early 2000s, so it goes without saying that best-selling author Justin A. Reynolds (Opposite of Always) and Eisner-nominated artist Pablo Leon’sMiles Morales: Shock Waves is a gift to the teen in me.
Hard NOC Life is still on hiatus; however, we have an exciting bonus episode to bring you!
Last week, Keith was asked to moderate a panel as part of Scholastic’s “Power of Story” speaker series. Two artists, Eric Wilkerson and Pablo Leon, speak about the important of representation in comics and children’s lit. You can also watch the original panel on Scholastic’s YouTube channel and Facebook.
In January 2009, I decided to write a book. I’ve always written, always made up strange worlds and sent characters hurdling into them, always dreamt of monsters. But until that day, I was scattered: a screenplay here, a few essays there. Some poems. None of ‘em went very far.
I’d read all the Harry Potters and loved them, loved how they immersed me in the world so thoroughly and stayed grounded and exciting. And I wanted something more… I’d just finished Junot’s Brief and Wondrous Life of Oscar Wao and Walter Mosley’s Six Easy Pieces and the combined ferocity of those two singular and relentlessly truthful voices lit a fire inside me. Octavia Butler’s work stoked that fire and Stephen King’s On Writing reminded me that writing a book was something that can be done, long as you sit down and do it.