During intermission while watching An Octoroon (written by Branden Jacobs-Jenkins and directed by Judith Moreland) at the Fountain Theatre, an old white woman randomly came up to me and asked what I found so amusing in this play. First, I had to get over the shock that a live human being was touching me (without permission) and getting up in my face to ask this question because after all, this was my first time watching a play with a live audience (albeit in an outdoor theater) in 16 months. Second, what WAS I and primarily all the other POC audience members laughing about?Continue reading “Los Angeles Theatre Review: ‘An Octoroon’”
When people think of Jonathan Larson, the first thing to come out is the Tony Award-winning musical Rent. But, Larson had done many musicals before that, one of which, is based on his life called tick, tick… BOOM!
Performed in 1990 Off-Broadway as a one-man show, tick, tick… BOOM! was an autobiographical rock monologue about his experience feeling rejected because of what he considered a failure for his musical, Superbia. After Larson’s death in 1996, it was reworked into a stage musical by playwright David Auburn and musical director Stephen Oremus. Now, making his feature directorial debut, Pulitzer Prize and Tony Award winner Lin-Manuel Miranda takes the story from stage to the big screen.Continue reading “Lin-Manuel Miranda’s Directorial Debut ‘tick, tick… BOOM!’ Releases Teaser Trailer”
They all have a million secrets. What’s so bad about this one? The St. Catherine’s drama club is struggling to put up its first school play – Sophocles’ “Antigone.” As if staging this tragedy in an all-girls Catholic school isn’t challenging enough, the cast’s beloved director ends up betraying them in an unforgivable way — and it’s almost opening night! The cast must figure out the right course of action, all while rehearsing a classic play about impossibly difficult choices. What is the right thing to do? And must the show go on?
Antigone, Presented By The Girls Of St. Catherine’s came with much eager anticipation. Presented by Sacred Fools (which put up a fantastic world premiere production of Gifted), written by Madhuri Shekar, and directed by Reena Dutt (who knocked it out of the park with her previously directed play Defenders), did the play met my expectation? More after the jump below:
Co-written with Edward Hong
What do you do when you’re born with a superpower but it’s really not that super? Especially if it’s a power that can accurately pinpoint the success or failure of any romantic relationship? Gifted, which is currently playing at the Sacred Fools till February 29, explores this question in a world not at all too different from our own. Written by Bob DeRosa and directed by Rebecca Larsen, the play takes a somewhat absurd premise into a truly in-depth and touching story that is a feast for the eyes, ears, and the heart.
In the realm of Los Angeles intimate theatre, efficiency and constraint are often unfortunately emphasized as budget limitations become the all-too familiar factor hovering over anyone who dreams of doing anything grandiose. So when I heard about a World War II play written by Cailin Maureen Harrison that was going to have its world premiere with the Pandelia’s Canary Yellow Company, I was intrigued because my burning question was: How exactly do you stage a WWII story in a black box setting and do so compellingly??
This marks my second NOC Theatre review since Hannah and the Dread Gazebo performed at the Fountain Theatre a few months back and it was here that my key interest in doing so was a commitment/announcement of sorts. For as much as I can, my focus will be to review plays & musicals with the qualifying criteria that the director, writer, and/or one of the main cast members (not supporting/ensemble but one of the leads) MUST be a non-white artist. The more PoC in the cast/production team, the better I’ll want to review it as I’ll give a glaring stink eye to all things tokenism.
It’s not often we here at The Nerds of Color review theatre performances but once in a while, there comes a production so wonderful, magical, and full of heart that it must be told for all to know. That production is Hannah and the Dread Gazebo, performing in Los Angeles at the Fountain Theatre (in association with East West Players) from now till September 29.