Rachael Leigh Cook on Keeping it Authentic for ‘A Tourist Guide to Love’

Rachael Leigh Cook is no stranger to romantic comedies. She starred in the hit teen rom-com She’s All That and became the princess of the genre, now working with Hallmark and Netflix as both an actress and producer on the 2020 film Love, Guaranteed and this week’s rom-com A Tourist’s Guide to Love

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Sundance Highlights Speculative Storytelling From Southeast Asia

The 2022 Sundance Film Festival has come to a close, following 11 days of presenting in-depth films and conversations from all over the world, for an audience that was originally supposed to be a hybrid one. While there was so much in store in terms of new works, a major takeaway yours truly got from attendance is that there are quite a few speculative works arising from Southeast Asia, and Sundance made the world premieres possible for two of them: Ham Tran’s Maika and Martika Ramirez Escobar’s Leonor Will Never Die.

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Southern Fried Asian: Kavi Vu

Welcome to a new season of Southern Fried Asian! We’re kicking off 2021 with storyteller, writer, activist, and Georgian Kavi Vu to talk about how the AAPI community helped turn the state blue in 2020 and elect two Democratic senators in an historic runoff election.

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Southern Fried Asian: H’Abigail Mlo

Just in time for the holidays, here’s the final Southern Fried Asian of season five to close out 2020! Joining the podcast is H’Abigail Mlo, a recent graduate of the University of North Carolina and one of the founders of Voices of the Highlands, a digital storytelling project featuring Montagnard/Montagnard-American voices on identity, culture, and everyday life.

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Disappointment For Người Tôi In HBO’s ‘Watchmen’

by Adam Chau

Since the finale of HBO’s Watchmen, I’ve been trying to reconcile my initial and absolute love for the show along with the eventual (and building) disappointment that I felt by the final episode for the Vietnamese characters and lịch sử brought into the show — but also keeping in mind that at its heart it’s a story about a Black Female Protagonist, the impetus for PTSD the Tulsa Race Riots, aka Massacre (which people still don’t know about), and the trauma and rising of a Black American lineage — không gia đình Việt Nam.

In that way it’s not a straight line from one thought to one conclusion — it’s the questions and the feelings they’ve brought up, their validity in a fictional world clearly designed to take on racism by POC, where there is inclusivity, but where I also can’t help but feel some of the underlying tones are still a recycle of already recycled stories, fictional and beleaguered, where Vietnamese and Asian Americans are still not fully embraced.

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