I am a new convert to horror. I was firmly in my comics, SF, SpecFic, fantasy bag for decades until I read Tananarive Due’s My Soul to Keep. After that, I was all in… on horror literature. However, so-called ‘horror comics’ weren’t scary to me. Not even a little. And as a comic fan, it was disappointing. That was then. Now, there are tons of wonderful horror books that speak to my cultural and aesthetic specificity. There’s Image’s Killadelphia and Bitter Root, which just had a huge announcement. And Vault Comics is doing it big.Continue reading “‘Box of Bones,’ An Endorsement”
The Harlem Renaissance. Black life. Root work. Jazz. Diesel Funk (shout out to Tim Fielder) Monsters and monster hunting. Family. Action. Challenging of gender stereotypes. Camaraderie. Mysterious villains. A world adjacent to the world of the normals. Bitter Root delivers all this, and more. It also asks some very good questions.
One of the problems I’ve always had with horror and horror-adjacent material is that very few things are more frightening than being Black in the world. If we can’t be safe in Kroger’s, in church, being stopped by police, walking with our loved ones, going to school, where can we be safe? This book tackles this head on, without flinching, without apology.