October is Black Speculative Fiction Month and like legions of others, I am celebrating it something fierce.
Why does Black Speculative Fiction Month matter?
Black Speculative Fiction Month matters because now more than ever our stories must be told and our voices must be heard. Black Speculative Fiction Month matters because too often at cons and writing events, I’m the only nonwhite guest in attendance.
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Being an author, understandably more than a few people have wanted my thoughts on the Hugo/Sad Puppies controversy. For those of you just joining us, this piece by fellow Nerd of Color Arthur Chu gives an excellent summary here.
Before I go any further, let me preface by saying this. As a writer, awards and accolades don’t even rank in terms of priorities. Don’t get me wrong, they’re awesome and I appreciate the honor as much as the next person but it goes back to a point my friend Pauline Trent and I discussed one day. There are generally two types of artists — and by artists I mean visual artists, writers, musicians, dancers, etc. The first type of artist is one who wants to be world renowned as a great artist. The second type of artist simply wants to produce as much work as they can possibly produce. More often than not, the latter leads to the former.
Whether it’s an essay, a social media update, or a novel, whenever I write, I have three objectives in mind: to enlighten, to entertain and to empower. So while awards may not be a priority for many writers, we still acknowledge the huge accomplishment in having one’s work recognized by industry peers and fans alike. Over the years, the Hugos have recognized some truly gifted authors. I’m honored to call a couple Hugo nominees good personal friends of mine. But as this fiasco just illustrated, the Hugos are yet another symptom of a corrupt system that is the publishing industry.
Continue reading “Dismantling the Master’s House of Cards with the Master’s Tools”