It’s been four years and a few weeks since Marvel’s Black Panther leveled the pop-sphere with a $1.344 billion USD box office and a legion of new and reinvigorated fans. Before his big screen debut in 2016’s Captain America: Civil War — an appearance that all who saw it could not stop talking about — he was a C- or D-list comic book character in Marvel Comics’ overstuffed roster.Continue reading “What Are We Saying When We Say, ‘Wakanda Forever?’”
So it’s August 24, 2021. Well, obviously not today, unless I finally caught a time traveler in the act, but that was the day I saw Candyman in theaters. Which for the sake of this article, is a very important date.Continue reading “‘Candyman’ and the Importance of On-Screen Black Positivity”
Candyman (2021) is Nia DaCosta’s conversation with the original 1992 classic. You know the story: in 1870, freed slave Daniel Robitaille (the amazing Tony Todd) was an artist who fell in love with a white woman. Her father had him tortured, mutilated and killed, his left hand replaced with a hook. Say his name five times while looking in the mirror, the story goes, and he will return and seek vengeance.Continue reading “‘Candyman’ is Horror with Something on its Mind”
We have it, folks. We finally have the name, movie poster, and official release date for the next Jordan Peele cultural masterpiece. Nope, starring Daniel Kaluuya, Keke Palmer, and Steven Yeun will be dropping July 22, 2022, with a note highlighting how select sequences were filmed with IMAX cameras.Continue reading “Jordan Peele Reveals Poster for ‘Nope’ Starring Daniel Kaluuya, Keke Palmer, and Steven Yeun”
I fondly remember being about 8-years-old and watching horror classics like The Exorcist and The Texas Chainsaw Massacre. Despite countless nightmares and near bed-wetting experiences, I continued to want to be scared because I fell in love with the genre. There was such diversity in the types of horror films I could watch, from ghost stories like Poltergeist and psychological thrillers like The Shining, to slasher flicks like A Nightmare on Elm Street and vampire-themed classics like The Lost Boys. My favorite films were B-movie cult classics like The Evil Dead trilogy, which combined comedy, zombies, and the supernatural all into one. But scary sci-fi gore fests like Alien weren’t too far behind either.
Although there was much diversity in the types of horror films that I watched, there wasn’t a lot of diversity in the cast of characters that populated these films. All of the movies mentioned above feature a cast of mainly white characters and families. As a half-Korean fan of horror, I always longed to see more characters of color play significant roles in American horror movies. Of course there are plenty of Asian horror films, but I honestly can’t remember any Asian characters in mainstream American horror films of the last three decades — which is why we love Steve Yeun so much around NOC HQ.
And while you might find the occasional black character attending camp or staying in a cabin in the woods, black men were usually the first to get sliced, diced, or axed in a slasher flick, as evidenced by Bao‘s “Not Gonna Make It” collection, posted yesterday.