If you’ve read this excellent site, follow me on social media, or have known me for five minutes, then you probably know that not only am I hopeless comic book geek and Midnighter is my patronus through and through.
This weekend news broke that after two issues, Marvel’s Black Panther & the Crew has been canceled.
The series revolved around Black Panther, Storm, Luke Cage, Misty Knight, and Manifold who band together to take on a dangerous wave of street-level threats in this new ongoing series by co-writers Ta-Nehisi Coates (New York Times best-selling author of Between the World and Me and Marvel’s Black Panther) and Yona Harvey (Black Panther: World of Wakanda) and legendary artist Butch Guice!
The death of a Harlem activist kicks off a mystery that will reveal surprising new secrets about the Marvel Universe’s past and set the stage for a big story in the Marvel Universe’s near future. Fear, hate and violence loom, but don’t worry, The Crew’s got this: “We are the streets.”
Anyone who thinks the cancellation has to do with “poor sales” and not the comics’ themes of racial justice and unapologetic blackness can line up and purchase some beachfront property I own in Wyoming.
One year ago, history was made when Batman v Superman: Dawn of
Wonder Woman Justice opened in theaters.
Why is this a cinematic milestone?
For the first time in history, the Man of Steel, the Caped Crusader, and the Amazon appeared together in a live action story. This is of monumental importance because not only are these iconic heroes the flagship franchises of DC Comics, they are also the cornerstones of western media and western culture.
On the heels of the home video release of the first DC Super Hero Girls original movie, Hero of the Year, here is our conversation with the writer of the DCSHG middle grade novels, Lisa Yee, from the lobby of the Grand Hyatt hotel during San Diego Comic-Con 2016!
Just in time for the release of DC Comics’ New Super-Man #2, check out our conversation with Gene Luen Yang, recorded live from the floor of San Diego Comic-Con 2016!
Just in time for the world premiere of Suicide Squad this weekend, we are joined by comic book writer Jai Nitz, proud Kansan and creator of DC’s El Diablo, for our series of video interviews from the floor of San Diego Comic-Con 2016!
Last week, we had the opportunity to be a part of CrossLines, a pop-up culture lab on intersectionality presented by the Smithsonian Asian Pacific American Center. In addition to hosting a Reading Lounge/Book Swap and live mural by artist Matt Huyhn, The Nerds of Color was invited to conduct live recordings of Hard NOC Life. The first of these live podcasts featured comic book artist Shawn Martinbrough.
Originally posted at WilliamBruceWest.com
With all the talk about Batman v Superman over the past few days, it reminded me that it’s nowhere near the worst story told featuring the Caped Crusader. No, that honor belongs to Just Imagine Stan Lee’s Batman, published in September 2001 — making it the second worst thing to happen to America that month. If you’re unfamiliar with the book, let’s take a step back in time, shall we?
For as long as I can remember, one description of comics has prevailed: comic books are adolescent white boy power fantasies. If you look at the majority of the offerings, it would be kind of difficult to dispute this. Go to any comic shop and you will see a crowd of covers presenting overly muscled white men and impossibly voluptuous white women competently combating some evil, some threat that is just as anatomically disproportionate as the hero/ines are.
Comics, at first glance, are filtered through a firmly and profoundly white and male point of view. But this is a cursory view. If you dig, research, or explore beyond the DC/Marvel axis, this notion begins to lose its stickiness.
[Full Disclosure: David Walker is a good friend of mine and I told him that I would only write something, if I liked the book.]
I’m a Teen Titans fan from since Raven first got the team together. Cyborg (Vic Stone) was never my favorite character, or a character I particularly liked. I mean, how many damn times were you going to use X amount of decibels from your white noise generator? Not to mention that Cyborg is the most dehumanized superhero of color in all of comicdom. Folks are mad that Vic is beginning to look “more human.” I have a question: Why were you okay with him being a walking and talking negroid PS3?