Concrete Park Vol. 2: R-E-S-P-E-C-T: Another Huge Endorsement

I can only talk about the second volume of Concrete Park,RE-S-P-E-C-T,” in relation to music. I wanted to use other graphic novels or films as benchmarks, but I’d be talking more about the evolution to make the book, the shift in materials and not the meta-shift I want to capture here. While I enjoy what GeekCulture has to offer, it doesn’t transform me the way that music does. There has yet to be a geek-influenced film, comic, graphic novel, or anything else that has affected me the way Bad Brain’s 1983 life defining album Rock For Light did.

Well, that is until now.

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Concrete Park Vol.1: You Send Me — A Huge Endorsement

I had the pleasure of meeting two-thirds of the Concrete Park creative team at the Black Comix Arts Festival (BCAF) in January 2015. Not only were Tony Puryear (ill on the keyboard and with the pen) and Erika Alexander (Hollywood demigoddess) beautiful and amazing beyond all possible measure, their property was absolutely insane. There are very few things I want to teach in my classes, but Concrete Park Vol.1 You Send Me is a book I am rearranging my fall syllabus to include. It was my favorite thing (and I bought a whole lot of stuff) I picked up at BCAF. Did I mention that their property is off-the-rails crazy?

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Does Anyone REALLY Care About Diversity in Comics?

Originally posted at BadAzz MoFo

I’m starting to feel like I’m going crazy — as if there is something seriously wrong with me — when the sad truth of the matter is that it is not me at all. It is you. And by “you” I don’t necessarily mean you, the person reading this, but I do mean someone other than myself — the crazy person running around pointing out the truth that You (though not necessarily you) don’t want to face. And the truth that I’m talking about is the simple fact that for all the complaining about the lack of diversity in comics — specifically as it relates to black creators — You don’t really want diversity. Instead, You want to sit around, writing blog posts and articles and leaving comments here and there about how few black creators are working in comics, and how You are so righteously indignant to the plight of struggling black creators who aren’t being given a chance to work for major corporations like Marvel (owned by Disney) and DC (owned by Warner Brothers).

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