Whitewashing is White Supremacy: Why Asian American Representation Matters

by Kimberly Ta | Originally published at Project Ava

With the latest release from Netflix, it turns out that Asian Americans will continue to get the shaft in 2017.

In March, Netflix released their trailer for the American adaptation of Death Note, a wildly popular manga series, which debuted on the world’s leading Internet television network on August 25. Death Note is a Japanese manga series written by Tsugumi Ohba and illustrated by Takeshi Obata. As of 2015, the series has over 30 million copies in circulation worldwide and has won international awards as well as numerous award nominations domestically in Japan. It is regarded as one of the top 10 manga series of all time. It also happens to be one of my favorites, so this fight on racist bullshit has just became personal.

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TIFF Review: The Birth of a Nation

by Joelle Monique

In watching The Birth of a Nation I was a little destroyed. There’s so much to unpack. Nat Turner is a legendary figure in the Black community — a former slave who removed his own shackles. It’s a story I’ve wanted to see on screen for a long time. The reviews out of Sundance were huge. Then, news of Nate Parker rape charges and acquittal broke. I debated a long time about whether or not to cover the story when I came to TIFF. Eventually, I decided that a film this prominent and this culturally invested couldn’t be ignored. I have mixed feelings about what I saw. I’m going to take it slow.

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Supergirl: An L.A. Story for Today

by AJ Joven

It must have happened when I noticed Kara running in front of a slightly obscured monument that could only have been at Pershing Square. The flat sky scrapers, palm trees, and the technicolor brightness of the world all felt so familiar. An alien, misunderstood and hiding in plain sight, here in DC’s analog of Los Angeles is what makes Supergirl such a watershed moment: it takes this specific angle of the City and wears it unabashedly. As I’ve been playing catch up on the series (sorry… as a Filipino, I’m generally late to everything), I’ve found lots to like about the confident voice in Supergirl. Often steeped in questions of identity, Supergirl’s writers send up the concepts of being a professional woman, a millennial, and, most personal to me, an immigrant with swagger and intent. Seeing National City be so clearly depicted as Los Angeles (seriously, that flat top sky line is unique, y’all) and all of the auxiliary connotations involved in that is not, to my mind a mistake. It is, however, a first.

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Some Thoughts on Scarlett Johansson in Ghost in the Shell

by Jon Tsuei

[Ed. note: This essay first appeared as a series of tweets on Jon’s twitter account and is being re-presented with his permission.]

I’ve been seeing a lot of defenses for the ScarJo casting that seem to lack a nuanced understanding of a Ghost In The Shell as a story.

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Three Reasons Why #Richonne is a Black History Month Gift

Originally posted at COLOR

Hip hop hooray, Richonne (Rick and Michonne) is now officially canon in The Walking Dead! And, as luck would have it, such a development has happened in one of the most hallowed of months, Black History Month.

This didn’t go unnoticed by many on Twitter:

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Martian Manhunter Needs His Own Show

How come it seems like there’s no love for the Martian Manhunter out in these streets? The Martian Manhunter, aka J’onn J’onzz, is one of the core members of the Justice League, yet J’onn seems to be severely underrated. I’m not completely sure why, since J’onn is probably one of the most compelling DC superheroes in the pantheon. But to me, it would seem that DC Comics isn’t paying attention to a goldmine of an opportunity.

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