One of the the greatest cultural tragedies of the digital era is that De La Soul’s early music isn’t streaming. An early victim of the sample-clearance wars (over 70 on their masterful debut, 3 Feet High and Rising), De La’s cultural impact — and promise — has never been allowed to be fully realized. Not only has the streaming era proved to stifle De La’s early output, their contracts only covered physical media releases as no one anticipated that streaming would become the primary way we’d all experience media.
With new modes of delivery, new contracts have to be made for those previous albums. And De La has tried to do this in good faith, but Tommy Boy Records, the label De La was originally signed to, has refused to give them a mutually equitable deal. Tommy Boy would take the lion’s share of the profits, even though all of De La’s albums have recouped (made back initial production/investment costs).
As a geek parent, I, for the most part, have been unsuccessful in passing on my enthusiasms to my teen and tween daughters. Sure, my eldest is now a confirmed Potterhead, but only years after her mother and I bequeathed her our books, which she refused to read because they were ours. She discovered and fell in love with Stranger Things on her own, too, which I guess is what works with her — if we’d told her to watch it, maybe she wouldn’t have listened. Her younger sister is a bit more open to my suggestions, and loves anything with magic and the fantastic, and she happily displays my gifts of Pop! figures of strong female characters on her shelf. However, she scares very, very easily, so attempts to watch Star Wars movies, for example, are interrupted by frequents runs out of the room or outright refusals, no matter how much likes likes the characters.
With San Diego Comic-Con fast approaching — and shows like HeroesCon and Anime Expo in the rear view — we are definitely in the thick of con season. One of the pillars of con-going is dressing up as your favorite character and hitting the floor in costume. So Hard N.O.C. Life returns with an episode dedicated to the art of cosplay!
Joining Keith on the panel is newest NOC contributor — and host of Comics and Cosplay on YouTube — Ian (@ComixNCosplay), NYC-based comics collector and enthusiast Jay Justice (@MsJayJustice), cosplayer and costuming tutor on Saturday Morning Cosplay Nel (@NelsRandomLife), and ComicsAlliance’s superhero sartorialist Betty Felon (@BettyFelon).
I like writing articles that teach. I like sharing lessons and personal experiences that hopefully can save someone else the time it took me to learn certain things the hard way. The problem is I find myself always doing it in the negative. ”Don’t do this.” “Stay away from that.” I’m sorry for that, but sometimes it’s faster and more effective for me to educate someone on what not to do instead of what to do.
So here’s my take on how not to behave like an artistic professional online.
For four years and fifty issues, DC Comics published what should be considered, in my opinion, one of the best kid-friendly comics in the history of the medium: Tiny Titans. And I’m not the only one who thinks so. The series was nominated for multiple Eisners, and actually took home the award on two separate occasions — in 2009 and 2011 — for Best Series for Kids. And while DC no longer publishes (for now) the adventures of Robin, Kid Flash, Beast Boy, Raven, and the rest of the gang at Sidekick Elementary School, Art Baltazar and Franco’s creation has left an indelible mark on how good “comics for kids” can truly be. Plus, my daughter loves these books. So much.